SPOILER ALERT ⚠
3 1/2 Stars
Reviewed by IntrovertReader
Christine Monson was best known for her infamous, shocking bodice-ripper Stormfire, which is legendary for the protagonists’ abusive revenge-based romance. Her second book Rangoon significantly turns down the crazy factor, but still retains the sensitive writing that made Stormfire so haunting and memorable.
West Meets East
It’s the late 19th century. Boston-bred Lysistrata travels all the way across the world with her father, a doctor, to Burma to start a new life. Nursing a broken heart from an ill-fated romance, Lysistrata tries valiantly to navigate her way through her new environment and its rigid class system. She meets Richard “Ram” Harley, a half-Burmese, half-British man she can’t help but find attractive. Harley is a pirate who seduces married women and callously threatens to ruin Lysi when she discovers one of his illicit amours.
With a name like Lysistrata that should give a hint about her independent, determined nature. At first, her feisty, “I’ll do it my way!” attitude tested my patience, however, I warmed up to her as the book evolved. She’s not the typical foot-stomping, the face-slapping heroine (at least not when it comes to the hero) who was so common in old-school bodice rippers. Lysi is ever cognizant of her expected role in society but sticks to her convictions in an admirable and likable way.
Intrigued by Harley’s outsider status, Lysistrata pursues him–to her detriment. For although their mutual desire results in a night of passion, Harley turns the tables on her, revealing a cruel nature that a veneer of civility had hidden.
When Harley is framed for a murder he did not commit, he assumes Lysi is behind the false accusations. Before he makes his getaway, he vows he will have revenge!
Revenge Turns to Passion
Lysi’s bold behavior made her numerous enemies. These unscrupulous foes collude to have her kidnapped and sold into slavery. It’s no surprise when Harley purchases her for his own enjoyment. Now that he’s lost his life and status in so-called civilized White society, he has nothing to lose. Harley takes her to his majestic jungle hideaway, where he will exact his vengeance.
Now going by the name Ram, he shows Lysi a darker side of his nature. For those readers who cannot stomach abuse, fear not. Where in Stormfire Monson had the hero imprison, torture, rape, and humiliate his heroine, in Rangoon Ram is not near as extreme in his cruelty. He does make Lysi his unwilling mistress. Ram’s actions may blur the line on consent, although it’s clear Monson has written his behavior more as a “forced seduction” fantasy than a brutal violation.
“You’re practiced enough at rape,” she hissed. “It must be your only alternative to buying a bed partner.”
“But I only had to rape you a little,” he teased, “and of course, I will pay you if you prefer.”
“I prefer to be left alone!”
He laughed. “After last night, even you don’t believe that lie. Why not admit you enjoy what I do to you?”
“Go to hell.”
Despite Lysistrata’s defiance, she finds herself enchanted by Ram and his magical palace in the wilderness. This middle portion of the story is the best part of the book as Ram and Lysi engage in a tug-and-pull power play. As a mixed-race corsair, Ram has always lived on the fringes, torn between two worlds that never truly accepted him. As a free-thinking woman, Lysistrata has been constrained by the dictates of society. I could have read hundreds of pages more about their engrossing battle of wills.
Final Analysis of Rangoon
Alas, Lysistrata and Ram’s idyll in the Burmese jungle does come to an end. The false murder charges finally catch up with Ram, and he is arrested. Now with Ram on trial, Lysistrata fights to save him from the hangman’s noose. This is where Rangoon fell apart for me. No longer an engaging character-driven romance, the book turned into a dull courtroom drama that went on and on. Plus, there were multiple side characters who added nothing to the story, except for one charismatic fellow.
Despite Monson’s thoughtful writing, the lackluster conclusion caused my initial delight to wane. It was a disappointment that the incredible, thrilling highs of her first book were not reached here. Monson’s characters are strong. Her sensitive skill at her craft was undeniable. However, the plotting was weak in Rangoon. It’s one of those romance novels I’m glad to have read but have no plans to ever revisit.
On to the next book.