Historical Romance Review: Midnight Angel by Lisa Kleypas

historical romance review
Midnight Angel by Lisa Kleypas
Rating: three-half-stars
Published: 1995
Illustrator: Max Ginsburg, Fredericka Ribes
Book Series: Stokehurst #1
Published by: Avon
Genres: Historical Romance, Victorian Era Romance
Pages: 373
Format: eBook, Paperback
Buy on: AmazonAbeBooks
Reviewed by: Introvert Reader

Historical Romance Review: Midnight Angel by Lisa Kleypas


The Book

Lisa KleypasMidnight Angel is the predecessor to the only one of her novels I’ve been unable to finish, Prince of Dreams. I started Prince of Dreams, not knowing it was a sequel; the Elaine Duillo stepback cover lured me in.

I should have started with this one, which features a Max Ginsburg tip-in illustration, as this is by far the better romance.

The Plot

The story opens with Lady Anastasia Kaptereva. She is in jail, sentenced to hang for a murder she did not commit. Anastasia doesn’t have any recollection of the event.

She flees Russia for exile to England, where under an assumed name, she lands employment as a governess to young Lady Emma Stokehurst.

The hero Luke, Lord Stokehurst, is unique in that he’s disabled, missing a hand, with a hook in its place. He is a widower whose wife died in a fire. And he’s vowed never to love again.

His 12-year-old daughter Emma is in need of care. Emma is the heroine in Prince of Dreams, where she is paired off with Tasia’s annoying brute of a cousin Nikolas Angelovsky. He was such an awful hero; I DNF’d that book. Unthinkable for a Kleypas, but he rubbed me the wrong way. Strange, as he’s not so terrible here in Midnight Angel.

midnight angel lisa kleypas
Midnight Angel, Lisa Kleypas, Avon, 1995, Max Ginsburg cover art, John De Salvo model

Luke is about 15 years older than Tasia (she’s 18; he’s 34). Luke is “tortured” and domineering, not a thoughtfully sensitive but strong quasi-beta male with a cream-puff interior. The power dynamics may be off-putting to some. I didn’t mind.

When Tasia and Lucas get together, the steam factor is hot. Kleypas writes excellent love scenes, which is why the book was enjoyable.

The plot was a bit of a kitchen-sink affair, as there are many factors thrown in: the Gothic aura, amnesia, murder, a nasty other woman, and lots of drama. Plus, there are evil baddies, a tiger, and some paranormal factors. The supernatural stuff is further explored in Prince of Dreams.

My Opinion

Midnight Angel was good, better than its follow-up, but not anything exceptional. If you’ve read my reviews, you know where I stand on the grieving widowers trope, but it was mostly tolerable here. Mostly.

Some aspects were rushed, making my rating for this book drop a few percentage points. It’s melodramatic and cheesy at times. Then again, I don’t mind cheesy.

I liked this historical overall, but I don’t think it’s for every reader. Fans of Kleypas’ romances written in the 20th century–particularly her Hathaway and Ravenel series–probably will not have a good time as I did with Midnight Angel.

The ratings on Amazon and Goodreads are relatively low for a Kleypas romance, with a considerable number of 1 or 2-star reviews.

That didn’t sway my opinion, as I enjoy Kleypas’ 1990s to early 2000s romances more than her “modern” books.

Final Analysis of Midnight Angel

Historical romance is a broad genre and Lisa Kleypas’ is a rare author with broad genre appeal. Midnight Angel is a solid, if not stellar, romance. Tasia and Lord Stokehurst are an unlikely couple, but their story is full of passion, intrigue, and danger.

Opinions are mixed about this one, so your mileage may vary. As for me, while I won’t be returning to Midnight Angel, I am glad I read it.

3.74 Stars

Rating Report Card
Fun Factor
Overall: 3.7


A noblewoman of frail beauty and exotic mystery fakes her own death to escape the gallows. And now she must flee. In disguise and under a false identity, she finds unexpected sanctuary in the arms of a handsome and arrogant yet gallant British lord—who must defy society to keep her safe . . . and overcome a tragic past to claim her as his own.


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