If you’re familiar with your romance history, then you must know of this book, even if you haven’t read it. The cover is the infamous one designed by Robert McGinnis with the naked hero standing tall as the heroine kneels before him, her ample breasts pressed firmly against his–er…dongle.
Tender is the Storm was released in 1985; Lindsey’s 10th consecutive bestseller. McGinnis’ artwork and Lindsey’s novels made for a powerhouse combination. The first two covers were pleasing enough, but starting with 1980’s Fires of Winter, McGinnis would upend the romance industry altogether. Before that, most clinch covers would show the heroine’s heaving bosoms while the hero remained fully clothed. Fires of Winter portrayed a fully naked hero, his legs bent and splayed open with the heroine lying between his thighs.
What’s in a name? That which we call a rose By any other name would smell as sweet…
ROMEO AND JULIET, WILLIAM SHAKESPEARE
Pen Name, Nom de Plume, Alias, and Author Pseudonyms
Author and raconteur Mark Twain was born Samuel “Longhorn” Clemens. The legendary George Eliot was not a man but a woman named Mary Ann Evans. Even the famous J.K. Rowling shortened her given name of Joanne Kathleen to publish. The use of pen names is an aspect that exists in all fields of writing.
In the romance genre, an author might use an alias for various reasons. Perhaps their real name lacks a certain je ne sais quoi. Because some romance writers produce fiction in multiple genres, different names are used. There are male novelists who want to appeal to the majority female audience. Or the authors could be married couples or duos who need catchy noms-de-plume.
Below is a brief list of writers and their pen names. Since hundreds of authors use aliases, this is a short compilation. Therefore we included only those we have reviewed, highlighted, or soon will review and/or explore in-depth. With each romance author pseudonym, we provide an example book title or link to a book review.... Read more “Romance Authors With Pseudonyms”
Christine Monson was best known for her infamous, shocking bodice-ripper Stormfire, which is legendary for the protagonists’ abusive revenge-based romance. Her second book Rangoon significantly turns down the crazy factor, but still retains the sensitive writing that made Stormfire so haunting and memorable.
West Meets East
It’s the late 19th century. Boston-bred Lysistrata travels all the way across the world with her father, a doctor, to Burma to start a new life. Nursing a broken heart from an ill-fated romance, Lysistrata tries valiantly to navigate her way through her new environment and its rigid class system. She meets Richard “Ram” Harley, a half-Burmese, half-British man she can’t help but find attractive. Harley is a pirate who seduces married women and callously threatens to ruin Lysi when she discovers one of his illicit amours.
With a name like Lysistrata that should give a hint about her independent, determined nature. At first, her feisty, “I’ll do it my way!” attitude tested my patience, however I warmed up to her as the book evolved. She’s not the typical foot-stomping, face-slapping heroine (at least not when it comes to the hero) who was so common in old-school bodice rippers.... Read more “Historical Romance Review: Rangoon by Christine Monson”
(Admission: I’m cheating a bit with the date range we have here for books on Sweet Savage Flame. Tangled Tapestry was published in 1969 and neverwas reprinted in English. It was only released on e-format a few years ago. Still, it’s close enough for government work, as the expression goes.)
Thanks to Anne Mather’s Tangled Tapestry I realize publishers don’t always put the correct copyright information in the front of e-books. Going into this read, I knew it was a vintage romance, but you only get to know that it was published in 1969 after you finish the book. I’m only stating this because, like many things written in the mid 20th century, it’s aged as if… it was written in the mid-20th century! This book may offend some readers’ sensibilities, or, if you’re twisted like me, make you laugh as I did at this legendary panel from a Batman comic:
Speak Only Love is yet another Deana James treat. This Zebra romance takes us to Regency Era England and the story of tumultuous love between two uniquely original characters.
Vivian Marleigh is a mute heiress who cannot speak ever since she witnessed the tragic death of her mother. She is forced into marriage with a young, hard-drinking viscount, Piers Larne. The marriage was arranged by the viscounts’ wicked father, the Earl.
Piers is not happy about this union, but what can he do? He feels powerless in his life, with no agency. His daddy pulls the strings, and like a puppet, Piers must dance to his control. Piers is a dissolute mess, spending most of his time drinking and recovering from gunshot wounds or the many injuries he receives. For besides being the wastrel son of a nobleman, our hero is also a smuggler.
Although Janelle Taylor has written books for various publishing houses, she will always hold a special place in the early years of theZebrapublishing company. Along with authors like Sonya T. Pelton, Sylvie F. Sommerfield, Rosanne Bittner, and others, she helped to form the pantheon of the Kensington line’s “Leading Ladies of Love.” Authors were given liberties to write different kinds of romances. Taylor’s passionate love stories appealed to readers across the country. Where the Avon ladies could rely on taut, crisp editing, the Zebra authors had a bit less oversight, with Zebra president Roberta Grossman and Kensington chief Walter Zacharius choosing to focus on the impressive cover art.
Indeed, a surefire sign that Taylor was one of the genre’s superstars were the artists who designed covers for her books. Walter Popp famously did the artwork for her first few books. Artists like Elaine Gignilliat, the ubiquitous Pino, and Janelle’s friend Elaine Duillo would paint many gorgeous covers for her books.
Janelle Taylor has over 50 books with 60 million copies in print. She is best known for her Gray Eagle series and Lakota, Moondust, and Lakota Skies novels. Her books have been translated into 50 different languages.... Read more “Author Spotlight: Janelle Taylor”
I enjoy playing the game of “I Spy” with my vintage book romance covers. Can you guess this week’s theme? Spot the common thread in the covers, and the first one to mention the correct answer in the comments wins the satisfaction that they were right! 🙂
For the week of Aug 2 to Aug 6, here are some contemporary and historical covers for you to look over and play “I Spy.”
A Violation, a full-length novel by category author Charlotte Lamb, isn’t a straightforward romance, somewhere more between women’s fiction and romantic fiction. Like so many of her works, the major themes are the philosophy of love and what are the defined roles of being a man and a woman, especially when it comes to amorous relationships.
In general, I think she was better restrained by the limitations of category romance as at times here she veers off into navel-gazing. Nevertheless, A Violation was a satisfactory read, not as good as the similarly-themed Stranger in the Night, but much better than a few of Lamb’s other Mills and Boon/ Harlequins that also dealt with sexual assault (I am looking at you Dark Fever).
Rape, especially a violent rape by a stranger who debases the heroine, leaving her life in tatters, isn’t the most comfortable backstory for a romance. As stated, though, this isn’t strictly a romance novel, so if you’re looking for more than a “Happy For Now” ending, you might be disappointed.... Read more “Contemporary Romance Review: A Violation by Charlotte Lamb”
This review is of Savage Ecstasy (Ecstasy/Gray Eagle, #1; the series is known by two different names) by Janelle Taylor. There’s a lot to unpack here in this Zebra historical romance.
The year is 1776, and English expatriate Alisha Williams, 20, the book’s heroine (and the first four books in the series), has journeyed west to find happiness with her only surviving relative, her uncle Thad. One day, the “men” in her settlement bring a captured Oglala Lakota Indian brave into their camp; that brave is Gray Eagle, the “hero” of the book. Their treatment of him sets the stage for what follows. The whites emotionally and physically abuse Gray Eagle in the camp. Only Alisha shows Gray Eagle kindness; his response to this is to bite her hand. (This is only the beginning of what he has in store for her over the course of the series.) Despite this, Gray Eagle and Alisha develop romantic feelings for each other.
Chance the Winds of Fortune A Disappointing Sequel
Chance the Winds of Fortune is the sequel to Laurie McBain‘s Moonstruck Madness, a romance about a gender-bending highwayman (girl) who falls for an arrogant, scarred Duke, notorious for his dueling skills. I LOVED Moonstruck Madness… The follow-ups to that wonderful book about their daughter, Rhea Claire, Chance the Winds of Fortune & Dark Before the Rising Sun, though…uggh.
Please forgive my bluntness. They’re too long, boring, and stink. Even McBain’s tepid first outing, Devil’s Desire, was better than these.
The two sequels books combine to over 1000 pages, telling the tale of a vanilla-bland daughter of the protagonists of a much more compelling story. Perhaps if McBain had combined both novels into one 700 page epic, I would have found more enjoyment out of the romance.
Penny Jordan was an immensely popular author for Mills and Boon/ Harlequin. She wrote romantic love stories that readers have enjoyed for 40 years. Penny Jordan was not her real identity but one of her many pseudonyms. Let’s take a look back at the career of this talented author.
Life Before Writing
Born on November 24, 1946, Penelope “Penny” Jones came into the world in a nursing home in Preston, Lancashire, England. Like many future writers, Penny had a vivid imagination as a child and was an active reader. Starting at age 10 or 11, her mother introduced Penny to the romantic serials in the Woman’s Weekly magazines. She became hooked on reading Mills & Boon and was a devoted fan. In those days, private lending libraries were the only source to obtain those books. Not until years later would the books go on sale in shops so Penny could have her keep of them.
She had met the love of her life, Steve Halsall, as a teenager, whom she married after her graduation. Steve was supportive of Penny’s burgeoning ambitions to write and purchased a typewriter for her to create romantic fiction.
Enter Caroline Courtney, Penny Jordan, and Anne Groves
I acknowledge that not all readers can tolerate a cruel, rapacious hero in their romance; that’s why I gave a rare warning for this book. It’s fair to compare So Speaks the Heart (which should be subtitled: Medieval Norman Psychopath Falls for French Co-DependentandFellow Anger Management Classmate) to another of Johanna Lindsey‘s works, A Pirate’s Love, which had a similar captor/captive trope.
However, So Speaks the Heart is IMO better than the latter because: 1) This heroine is not a spineless jellyfish, fights back, and is strong in her own way; and 2) The hero is more than just a good-looking rapist who eventually falls in love with the woman he’s been tormenting. Ok, he’s as deep as a crack in the sidewalk, and, yeah, he’s still a bully and a douche. But his background is fleshed out a lot more; therefore, we understand why he’s such an arsehole. So I can sort of forgive this hunk of a warrior for his caveman behavior.... Read more “Historical Romance Review: So Speaks the Heart by Johanna Lindsey”
An Anne Mather Harlequin Presents is what I consider to be an “old reliable.” She wrote romances that are almost guaranteed to entertain me, or if not, then at least not bore. Although usually satisfactory, Mather rarely wrote books I would place on an all-time best list. Sometimes she does surprise me, so it makes reading her works an experience to look forward to. In this category romance, Sirocco, Anne Mather employs one of her commonly used tropes: a hero in pursuit of an already “attached” woman.
The Stalker vs. the User
One night, Rachel Fleming comes across a man whom she thinks requires help. The man is slumped in his car, just sleeping, but Rachel doesn’t know that. He turns out to be Alexis Roche, a blond half-Arab, half-French, sheik ruler of a tiny nation (Rachel doesn’t know that either until later).
Alexis is instantly intrigued by his would-be savior and begins to stalk her.
Moonstruck Madness is old school in a clichéd, but still an oh-so-perfect way. For the very reasons some reviewers dislike this book, I adore it. Written in 1977, Moonstruck Madness was Laurie McBain’s second and, in my opinion, her best book.
The heroine, Lady Sabrina Verrick watches on as the Scots lose at the bloody Battle of Culloden Moor. The eldest daughter of a deceased Scotswoman, and an itinerant English Marquess, she and her family are without resources. As she’s responsible for her two younger siblings, she packs them off to England to their absent father’s run-down estate. Her father is more interested in his young Italian bride than being responsible for his children. It’s up to Sabrina to figure a way to support her family.
It’s the mid-1830’s and Scottish immigrant Reiver MacPherson has been granted lands by the new Texas government. The dilapidated property he acquired belonged to an old Spanish family, but the place is now abandoned. Or at least Reiver thinks it is, because to his surprise, there he finds an emaciated young wisp of a girl, Mercedes-Maria, whose family once owned the lands but has fled to Mexico, leaving her behind. So begins Deana James’ Texas Storm.
Mercedes is a bit of a wild child, and at first, Reiver has no patience for her. She insists the land is hers; he claims it’s is. The two butt heads but eventually agree to work together. Slowly, a romance unfolds as the pair get to know one another—sexual attraction forms. With James’ trademark earthy sensuality describing the passages, their passion results in vivid lovemaking sessions.
Mercedes & Reiver get married more out of convenience than love. However, their love grows as they experience adventure after adventure.
Once a Princess was not one of my favorites by Johanna Lindsey. I’d put this in the unremarkable category with books like Glorious Angel and Tender is the Storm. Not her worst, by any means, but not her best either.
Perhaps it had to do with the book’s aesthetics. I’ve always been a curmudgeon who doesn’t like change simply for the sake of change when everything is fine. So it was a shock that particular June of 1991 to find the Lindsey covers had been revamped. The font was more “romantic” with its loops and curves. The book was a step back and I preferred an open clinch. Avon updated Johanna Lindsey’s pretty photo on the inside back to a less flattering extreme close-up. And the most glaring insult of all, where in the heck was Fabio?
The plot about the search for a secret princess from a fictional country was all right. It was the main characters that made this one almost unbearable.
“Nothing has changed,” Fiona said in desperation. “Jonathan is my son.“
Fiona had had five years to think about her youthful folly–five years to remember Logan Sutherland’s treatment of her. Now, a whim of fate had brought them together again, and he laid claim to the son he hadn’t known existed.
Well, for Jonathan’s sake she would marry this cool, calculating stranger as he demanded. But she would never be his wife!
Rating: 2 out of 5.
Bride at Whangatapu includes the hallmark of almost every one of Robyn Donald’s books, as it intimately details the natural environment of New Zealand. Whether her books were set on a sheep station, on a yacht in the Pacific, or just a tropical backdrop, you could see the bright green grass, feel the ocean spray on your face or smell the hibiscus blossoms (which don’t even have much a scent, do they?).
Also present, Robyn Donald’s first published book is the other hallmark of her writing: an ultra-jerky hero who bullies his way over the heroine. Right from chapter one, when Logan finds that Fiona was the mother of his son who resulted from a one-night stand many years ago, he demands she marry him.... Read more “Category Romance Review: Bride at Whangatapu by Robyn Donald”
Anne Mather‘s No Gentle Possession consists of two plot points she’s employed many times in her works like Stormspell: separated lovers and cheating.
Well, in this book, it wasn’t so much a case of separated lovers as two people who briefly dated in the past. The heroine broke it off with the hero when she thought his relationship with his young stepmother was a bit too close for comfort and creepy.
Karen Sinclair likes her life just how it is. She has a job and a boyfriend and lives in a nice little town. Sure she’s not wealthy like some other families in town, but she’s happy. What more could she ask for? To her shock and dismay, she meets up again with Alexis Whitney, a man from a well-heeled family she’d been involved with years earlier and never forgot. For Alexis, however, their relationship hadn’t been significant (they didn’t have sex), so he doesn’t even remember Karen.
Karen’s pride is a bit wounded, although she tries to put on a brave face.
This review is of Savage Conquest, the 9th and final book–although the 6th published–in the “Ecstasy/Gray Eagle” series by Janelle Taylor.
Savage Conquest begins in 1873, approximately 17 years after the previous book, Forever Ecstasy, ended. It is not a happy time for Miranda Lawrence, the “heroine” of the book–only the second half–and her fraternal twin, Amanda, the heroine of the first half, both 18. Their parents, Joe and Marie “Morning Star” Lawrence, are presumed dead in a boating accident. (Their bodies have not been recovered.) Amanda, who is seeing fellow shipping company owner Weber Richardson, decides to take over the family business. She also later meets Reis Harrison, a man whom she is attracted to, and starts to fall in love with. There are, however, issues standing in their way: Reis is not entirely truthful about why he came to Virginia, and he has a long-standing beef with Weber, who feels similarly predisposed towards Reis.
Was this tepid, dull romance actually penned by Johanna Lindsey? The Heir was the first book that I noticed a weird change in her writing. Previously, if there was a Lindsey I didn’t like, it was due to a dull plot or excessive fighting between the leads. In this one, there is friendship for sure, but romantic isn’t what I’d call the relationship between Duncan and Sabrina.
The Plot: Friends to Lovers
Duncan, a Highland Scot, is the new heir to be an English Marquess. Everyone is eager to meet this new laird, er lord, especially the young ladies in town. Sabrina has no designs on Duncan; she’s plump, plain, orphaned, and not anyone’s ideal candidate for a wife. Certainly not for an heir to a Marquessate.
Then there’s the manipulative, beautiful Ophelia, who desperately wants Duncan’s title.
Slowly, painfully slowly, Sabrina and Duncan’s relationship turns physical, and one night they make love. But Ophelia’s scheming makes it appear as if Duncan has ruined her, so the red-haired idiot decides to do the honorable thing: marry Ophelia. Duncan is too young and he flounders in areas where a more mature man might have acted differently.... Read more “Historical Romance Review: The Heir by Johanna Lindsey”