
Rating:

Published: 1974
Illustrator: Unknown, H. Tom Hall
Book Series: Ginny & Steve #1, Morgan & Challenger Saga #1
Published by: Avon
Genres: Historical Romance, Bodice Ripper, Western Romance
Pages: 636
Format: Paperback, eBook
Buy on: Amazon
Reviewed by: Introvert Reader
TOTAL SPOILER ALERT ⚠
Sweet Savage Love, The (Other) Mother of Romance
Where to begin with this review? Sweet Savage Love by the great Rosemary Rogers is–along with Kathleen E. Woodiwiss‘ The Flame and the Flower–the blockbuster historical that launched a new genre: the modern romance novel.
Published by Avon in 1974, this 700+ page doorstopper was a monumental game-changer in an era of social transformation. Sweet Savage Love showed readers that “good” women could have passionate sex with a hero outside of marriage and also have passionate sex with men other than the hero.
Of course, the hero was laying pipe across the United States and Mexico, the primary setting for Sweet Savage Love.
This is a true bodice ripper, featuring rape, forced seduction, abduction, cheating, adultery, multiple sex partners, a dominant, magnetic hero, and a heroine who stomps her feet in anger while her eyes flash in defiance.

The Hero & The Heroine
Our heroine Virginia “Ginny” Brandon, is the half-French, half-American convent-raised daughter of a US Senator. She has fiery copper hair and flashing, slanted green eyes.
Ginny loves to dance like a gypsy, kicking her legs up in the air, her skirts swirling around her. You will hear this repeated constantly throughout the book.
Steve Morgan is this romance’s–ahem–hero. He is a darkly-tanned former Union soldier with deep blue eyes and black hair.
Rogers modeled him after Clint Eastwood, among others. I also got a Gregory Peck vibe from “Duel In the Sun” about Steve.
Imagine the most macho, virile man you possibly can. Picture ovulating women throwing themselves at his feet while low-T males shrink in self-awareness as that super-male confidently swaggers by.
That imaginary ideal isn’t fit to be a pimple sprouting hair on Steve Morgan’s muscular chest.
Steve is a soldier, a spy, a cowboy, and a Comanche ally. He’s a wealthy ranchero of mixed American and Spanish-Mexican descent. He is muy hombre, as we shall see.

The Epic Plot
Steve the Stud Meets Ginny the Dancing Gypsy
The lovely Virginia Brandon returns to the United States from France, where she had been raised in a convent. Her widowed father has remarried a gorgeous woman young woman. Much, much younger.
Ginny’s stepmother, Sonya, is quite familiar with Steve “The Stud” Morgan. They shared a passionate night together, where Steve practically raped her. Of course, Sonya enjoyed his illicit forced seduction. There are few women who haven’t fallen prey to Steve’s animal magnetism.
A scandal ensues from Sonya and Steve’s dalliance and Steve finds himself potentially facing the death penalty. He agrees to act as a spy in exchange for his life. It’s suspected that Senator Brandon is up to traitorous acts.
Senator Brandon has interests in Mexico, particularly with the controlling government of Emperor Maximillian. Steve–who is against the French–is charged with accompanying the Brandons across the country. He plans to draw them into a trap with the help of some Bandidos. The plot takes off from here.
Steve kidnaps Ginny, and though she fights him like a hellion, she–like all women with a pulse–falls for his ultra studliness. Circumstances find Ginny and Steve caught in a compromising situation and they are forced to marry.
But do you think marriage will stop Esteban Alvarado (Steve’s Spanish name) from being el tigere that he is? No way. He’s kissing broads in front of his new wife and banging other women on the side.

Two Strong-Willed, Beautiful Idiots
The best part of the story is when Ginny and Steve are trekking through the Western wilderness. But Rogers doesn’t like her characters being happy. She throws everything imaginable at them.
The action takes us to Mexico, where Ginny and Steve are separated multiple times. There are lies, deceptions, and double-crosses. Mexican soldiers violate Ginny. A deranged doctor tortures Steve…and then some!
Ginny believes Steve is dead, so she becomes the willing mistress of a young señor.
When she finds out Steve is alive, she goes in search of him. Steve believes Ginny betrayed him, so he despises her, even as he lusts after her ravishing body. Lack of communication and big misunderstandings rule the day.
Oh, will these crazy kids just get over themselves and stay together forever?

My Opinion
Hablo Espanole?
One thing I recall about Sweet Savage Love is that much of the Spanish written was almost gibberish. This was a common occurrence in a lot of 1970s and 1980s romances, be they Harlequin Presents or bodice rippers. Rosemary Rogers’ good friend Shirlee Busbee had that same issue in her book While Passion Sleeps.
Spanish is, I think, the third most common language on Earth. It should have been easy for a former secretary like Rogers to get an English-to-Spanish dictionary and copy down a few words.
Ah, well, that’s a minor gripe.

Fast and Furious
The book is divided into sections and begins with a long prologue. It’s a hefty brick of a novel with words in tiny font. Thankfully, Rogers’ prose isn’t as purple and verbose as Woodiwiss’, so the pace is fast.
Still, Rogers has a penchant for repeating descriptions. Mentions of Ginny’s coppery hair and slanted green eyes and Steve’s lean, muscular figure seemed to be on every page. It got tedious.
Once the book got rolling, Sweet Savage Love was a gripping read. Rogers threw so much trauma at her characters; sometimes, I didn’t want to look!
This novel is not for the squeamish, sensitive reader. I first read this at 13, which I think was too young to truly appreciate the grand scope of this tawdry bodice ripper. Sweet Savage Love scared me. I couldn’t conceive heroes and heroines could act the way Ginny and Steve did.
It wasn’t until well into my twenties that I could handle that kind of behavior because my perspectives on romance novels had expanded to be open to new experiences.

Final Analysis of Sweet Savage Love
Sweet Savage Love is a seminal piece of fiction, a lusty saga all lovers of old-school romance should read.
I wouldn’t rank it the most incredible bodice ripper ever, however. Christine Monson’s Stormfire, Teresa Denys’ The Flesh and the Devil and The Silver Devil, and Anita Mills’ Lady of Fire are better written and engaging.
In my opinion, Rogers’ Wicked Loving Lies is her best book, with more sensitive characterization and deeper themes. It was just more fun than Sweet Savage Love.
The protagonists were wishy-washy and emotional, despite being adults. (At least Steve was a full-grown adult. I think Ginny was 16 or 17 in the beginning.) Steve was a slut. Ginny was a Mary Sue, too beautiful and desirable.
The immature duo couldn’t decide if they wanted to be together or not. The only thing these two could agree on was that they liked banging.
Even so, I enjoyed this overall. Ginny and Steve were larger-than-life people in a story that was larger-than-life.
Sweet Savage Love is an experience you won’t want to miss. It’s a thrilling co-progenitor of the modern romance genre.
I’d rate this bodice ripper between 4 and 4.5 stars. Although it’s not without flaws, I’d say it does merit a high mark.
4.24 Stars
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Overall: | 4.2 |
Synopsis:
A tale of human emotion that lays bare the heights and depths of love, passion and desire in old and new worlds…as we follow Virginia Brandon, beautiful, impudent and innocent, from the glittering ballrooms of Paris to the sensuality of life in New Orleans to the splendor of intrigue-filled Mexico.
A tale of unending passion, never to be forgotten…the story of Virginia’s love for Steven Morgan, a love so powerful that she will risk anything for him…even her life.
SWEET SAVAGE LOVE by ROSEMARY ROGERS
Hell Miss Bates,
You pinpointed exactly why I had a problem finishing SSL’s first sequel, Dark Fires. Ginny & Steve had such an epic time in the first book, but to have the repeat it all over again was too much.Then to go through it all again for another book, then one about their daughter and then another sequel where they finally settle down. That’s why I preferred Wicked Loving Lies, it was a one and done. For a series to work, the characters have to grow, not be put in similar situations and learn nothing from that.
I have a love-hate relationship with Rogers’s Sweet Savage Love and your review encompasses every reason for it! Thank you! I too read it with horror as a teen and remember only the frustration these two engendered in the reader: can you just put a lid on it and be together, or go your separate ways??!! Sheesh.