Like in all Bertrice Small novels, the history in Enchantress Mine is richly detailed, the villains are just whacked-out, and there’s a lot of WTF situations that make you shake your head, blink and wonder, “What just happened?” But, I don’t know… I guess I just don’t enjoy some of Bertrice Small’s books as much as I do other bodice rippers.
A Too-Perfect Heroine
Enchantress Mine is set in the Middle Ages, during the height of the Byzantine Empire. The heroine, Mairin, is a foundling raised by adopted parents.
Oh, Mairin, how to describe her? The cover art is the best thing about her. I both hated and pitied the poor girl. So many horrific things happened to Mairin, but I didn’t care because she was SOOOO perfect, SOOOO beautiful, SOOOO resilient!
It was a bad sign that Bertrice Small’s The Innocentfeatures one of her dullest romance covers ever. The lone positive was that it was designed as one last created by legendary artist Elaine Duillo for her dear friend Bertrice.
Taking a break from Small’s usual romances where the heroine is captured by some salacious sultan and enslaved in his harem, The Innocent is a rather ho-hum medieval. The heroine is a former nun named Eleonore, who goes by the ridiculous name Elf. Elf is a paragon of virtue, saintliness, and sweetness and is totally dull. She is made to marry Ranulf, an equally boring character who patiently introduces Elf to the arts of love.
There’s an evil villain, a hired killer, who falls in love with Elf for her purity and goodness, but all I could wonder was WHY? She, like most Small heroines, is perfect beyond belief.
We’ve discussed bodice-rippers before at Sweet Savage Flame. While many people still use the phrase bodice ripper as a catch-all term for historical romance or for the romance genre in general, the true definition is much more narrow. A bodice ripper is a specific type of historical romance that existed starting in 1972 and more or less came to a halt somewhere in the mid to late 1990s.
Julia Quinn does not write bodice rippers. Courtney Milan certainly does not. Neither does Tessa Dare, although she cheekily has bodices ripped in a few of her books. Almost every mainstream historical author writing today writes “modern” historical romance, a completely different animal.
Fifty Shades of Gray is closer in essence to what a bodice-ripper is. However, having a domineering “alpha” hero, a virginal heroine, and titillating sex scenes alone does not constitute a bodice ripper. Add a historical setting to those factors and you have an old-school historical romance. The power play dynamic between the two sexes is a paramount theme, yet that is not the only quality inherent in a ‘ripper. There are many tropes or plot points that they can include and bodice rippers can vary greatly.... Read more “Neo-Bodice Rippers”