Like in all Bertrice Small novels, the history in Enchantress Mine is richly detailed, the villains are just whacked-out, and there’s a lot of WTF situations that make you shake your head, blink and wonder, “What just happened?” But, I don’t know… I guess I just don’t enjoy some of Bertrice Small’s books as much as I do other bodice rippers.
A Too-Perfect Heroine
Enchantress Mine is set in the Middle Ages, during the height of the Byzantine Empire. The heroine, Mairin, is a foundling raised by adopted parents.
Oh, Mairin, how to describe her? The cover art is the best thing about her. I both hated and pitied the poor girl. So many horrific things happened to Mairin, but I didn’t care because she was SOOOO perfect, SOOOO beautiful, SOOOO resilient!
An article from February 11, 2021, by journalist Chris Lambie at saltwire.com addressesHow Harlequin Romances Got Spicier. A study of 500 books found the covers got sexier as time has passed, just as the stories have. This phenomenon is not limited to Harlequin, but Harleys are the biggest players in the romance market, and they’re the oldest ones around.
From the article:
“All this begs the question, why study Harlequin romance covers over the decades? ‘If you want to understand what straight women want over time, I think this is a really telling way of looking at it,”’ Fisher said. ‘There’s only a certain segment of women that would be interested in these books. But I think it’s really useful in terms of understanding women’s idealized fantasies about mating.‘”
I’m afraid I have to disagree with this sentiment. I know straight women, lesbians, gay men, and straight men who read romance. It is evident that it’s mostly straight women read heterosexual romances. However, we shouldn’t ignore almost 1/5 of male readers or the other out-lying groups. Approximately 50% of romance readers are between the ages of 18-45, so of course, there are those looking for something different from their mothers or grandmothers.... Read more “The Evolution of Romance at Harlequin”
It was a bad sign that Bertrice Small’s The Innocentfeatures one of her dullest romance covers ever. The lone positive was that it was designed as one last created by legendary artist Elaine Duillo for her dear friend Bertrice.
Taking a break from Small’s usual romances where the heroine is captured by some salacious sultan and enslaved in his harem, The Innocent is a rather ho-hum medieval. The heroine is a former nun named Eleonore, who goes by the ridiculous name Elf. Elf is a paragon of virtue, saintliness, and sweetness and is totally dull. She is made to marry Ranulf, an equally boring character who patiently introduces Elf to the arts of love.
There’s an evil villain, a hired killer, who falls in love with Elf for her purity and goodness, but all I could wonder was WHY? She, like most Small heroines, is perfect beyond belief.