Category Archives: Robert McGinnis


21 Old-School Cover Artists All Romance Readers Should Know


21 of the Best Historical Romance Cover Illustrators

I adore romances from the 1970s, 1980s, and 1990s, partly due to the beautiful cover art. Over the years, I’ve amassed thousands of dazzling images. It’s a fun hobby trying to discover the artists who created them.

This compilation began as an attempt to list the ten artists every lover of old-school romances and clinch covers should know. Ten became fifteen, then twenty. Finally, I settled on 21 illustrators to identify.

This catalog of names consists of some of the best romance cover artists of all time.

That doesn’t mean these are the only artists to know, as this list is limited to historical romances written in the last third of the 20th century.

These 21 entries provide a starting point for the novice learner.

1. Robert McGinnis

Robert McGinnis illustrated Gothic books before he turned to mainstream romance.

His first bodice ripper was Avon‘s reissue of Kathleen E. WoodiwissThe Flame and the Flower. McGinnis then designed the cover for her sophomore outing, The Wolf and the Dove. His suggestive clinches for Johanna Lindsey, Patricia Hagan, and Laura Parker gained him acclaim and notoriety.

McGinnis worked almost exclusively in tempera paints.

His mature, angular style was an instant draw for romance. McGinnis created the first naked man covers, which delighted genre fans.

But it was the McGinnis woman who was a being of legend. McGinnis depicted the feminine form in a most alluring fashion.

“The McGinnis Woman possesses a whirling narrative force all her own, a perfumed cyclone of sexuality, savvy, mystery, and danger. She also sells books—lots and lots of books.”

(Source: Vanity Fair)

2. H. Tom Hall

H. Tom Hall’s artwork for romance book covers is legendary. His technique is instantly recognizable: refined and sensual.

The strokes are broad yet precise. Hall’s scenes contain a dark, smoky essence. The heroines’ long locks flow wildly, while the heroes’ faces are shadowed and inscrutable.

Hall had a sensitive, respectful touch when portraying people of different races and ethnicities. Thus his illustrations were prominent on paperbacks set all over the world.

3. Harry Bennett

Harry Bennett‘s dazzling style of swirls and whorls of flowing hair may be especially familiar to fans of Pocket Books‘ early historical romances. He created memorable covers for Victoria Holt, Phyllis Whitney, and Jude Deveraux.

While his work inspired many other artists, Harry Bennetts covers have been confused with those of H. Tom Hall. While their depictions might appear similar, a keen eye needs only to look at the faces of the male models to spot the difference.

Of his artwork, Bennett’s son Tom, also a painter, said:

“My father had a great facility with mediums, and he experimented and adapted to new trends with different techniques. His favorite medium above all, in both his painting and illustration, was oil.

He also worked extensively in egg tempera, inks, and various combinations of tempera and oil. In the 1950s and early ’60s he worked a great deal in water-based media like gouache.

Later, he would occasionally work in acrylic. But late in his career, it was almost exclusively oil with a black oil medium.”


4. Elaine Duillo

Elaine Duillo was the undisputed “Queen of Romance Covers.” She started in pulp fiction before moving on to Gothics and romance.

Duillo was not ashamed to be sexy and outrageous with her art. She embraced camp to the hilt. Her reverence for beauty and perfection made her creative style a wonder to behold.

Duillo’s technique was marked by hyper-realism, unparalleled attention to detail, and a vast palette of colors.

Elaine would paint light hues onto a black canvas. This achieved stunning results for elements such as platinum-blonde or red-gold flowing waves of hair or sumptuous, satin gowns that looked like one could touch them.

Duillo worked in acrylics and oils. She placed her signature, “Elaine,” as close to the bodies as possible.

Her daughter Melissa Duillo-Gallo also produced romance covers, in a manner similar to Elaine’s.

5. Pino Daeni

Pino Daeni’s brushstrokes, the curves of his feminine subjects, and their facial expressions make his covers uniquely recognizable.

Daeni was always willing to experiment with different methods and poses. He was one of the early artists to employ the wraparound cover design and the pose and clinch style.

Pino worked in oils and preferred to stand while painting.

Pino’s innovative technique precedes him. He mixed impressionism and realism to create his own intoxicating style.

“I used to paint in the academic way. Then I changed. I could no longer stay with just one school. Everything was interesting to me. I was curious about various schools of thought.”

Pino, (2006)

6. Elaine Gignilliat

Elaine Gignilliat designed covers for hundreds of romances. Her artwork demonstrated exquisite attention to detail, especially with the textures of fabrics and hair. Her use of bright colors against dark backdrops made for remarkable images.

Like most other cover artists of her day, Gignilliat worked in oils.

Also, like many other of her contemporaries, Gignilliat designed covers for epic historical blockbusters and shorter category romances.

After making the initial sketches for a cover, she would start her paintings by drawing everything in oil with a small brush.

Next, she established the color values, where the darkest, middle tones, and lightest areas would be. Then she would add the general colors in a light oil wash.

Afterward, the real painting began as Gignilliat developed the faces and hands, giving them more color and form. This eventually resulted in a beautiful picture which was then made into a book cover.

7. Max Ginsburg

Max Ginsburg‘s fine art is considered to be contemporary realism. He excels at depicting emotional scenes,

Ginsburg’s book covers are more romantic than sensual. The edges of his subjects blur into the background,

While Ginsburg could display the human body in an alluring way, his covers were rarely gratuitous.

He has a compassionate eye that highlights the humanity of his subjects. Like H. Tom Hall, Ginsburg has a talent for empathetically painting people of diverse heritages.

Ginsburg’s style influenced many artists of Avon covers in the late 1990s and early 2000s.

8. Morgan Kane

No one could capture the ornate, intricate patterns of fabrics as Morgan Kane could.

Whether presenting a lacy gown, a multi-textured cape, or a mosaic of hues on a blanket, Kane can make one can feel the material just as well as one sees it.

In contrast, he depicted human forms in a much softer manner. The difference between the grounded beauty of his subjects against ornate backgrounds, textiles, or flowers makes for a visual treat.

9. Robert A. Maguire

Robert A. Maguire was another of the many illustrators who created lurid pulp covers. While his pulp art was highly sexualized, his romance covers are more sedate.

An emotional connection is the focus, not sex. The faces of Maguire’s females are delicate, with thickly-lashed eyes and rosebud lips.

Maguire played light and dark tones against each other in an enchanting manner. His method is not surreal nor hyperreal. Instead, it is idealized unrealism, approaching the imagined perfection of a cartoon.

Like Elaine Duillo, Maguire often placed his signature–“R. A. Maguire”–as close to the bodies as possible, in the shade lighter than the background.

10. Roger Kastel

Famous for his movie posters, Roger Kastel‘s romance style shares similarities with that of Maguire & most significantly, Max Ginsburg.

Kastel favored a romantic, blurred technique instead of a precise, angular reality.

Kastel’s brushstrokes fused colors together, creating a hazy aura around the couples.

11. Walter & Marie Popp

Walter and Marie Popp designed Regency, Gothic, and bodice ripper covers. Each genre had its own method to it.

The Gothics were shrouded in darkness and mist.

Regencies were marked with a sweet, crisp quality.

For the historical romance covers, the Popps embraced sexy with their curvaceous heroines and muscular heroes.

The female faces look similar, as Walter often used his wife Marie, a model, as his muse. Their expressions are a variation of hers, from their full lips to their round eyes.

12. Victor Gadino

The great Victor Gadino‘s technique is masterful. His attention to fine detail is exquisite.

Note the musculature of the hero’s abdominal and pectorals, the lace on the hem of the heroine’s skirts, the silk pattern of pillows, and the heavy-lidded eyes in the hero’s lusty expression.

His use of jewel-tone colors results in covers that sparkle like precious gems.

More than any other artist since Elaine Duillo, Gadino’s art is typified by a carnal sensuality. His approach is hyperrealistic, with figures as close to perfection as the human eye can conceive.

13. Sharon Spiak

Sharon Spiak’s mentor, the Italian master artist, Pino Daeni, was a massive inspiration to her when she was his apprentice.

She painted in oils, creating an atmosphere of enchantment always backed by passion. Spiak’s paintings for romance novels capture sensuality, beauty, and fantasy by captivating the viewer in the intimacy of the moment.

Her approach differs from cover to cover. There is always a delicacy to the females’ features and a lovely interplay of pastels against darker tones.

14. John Ennis

John Ennis utilizes a “Disney Princess” method of painting, as his human images are beautiful but unrealistic. His covers have a fanciful, almost cartoon-like, fairy-tale quality. His work is based more on fantasy than romanticism.

Ennis played around with shades of light and contrasting hues, resulting in striking covers that made him a natural fit for Zebra.

If one notes the texture of the heroines’ hair, one can see individual strands and curls against blocks of solid color.

Like Franco Accornero, John Ennis was an early innovator of digital artwork.

15. Franco Accornero

Franco Accornero, also known as “Franco,” pioneered computerized art design. Due to his fascination with the capabilities of technology, Franco always pushed boundaries.

Before he transitioned to digital artwork in the 1990s, Franco worked primarily in oils.

As an independent freelance artist, he was responsible for all cover design elements, from setting up the scene to models, costumes, and props. He arranged various poses with different lighting arrangements.

His fine director’s eye created a dramatic and flattering balance of light and shadow.

Franco would use a wind machine in the photo sessions to get that flowing hair look.

16. Renato Aime

Renato Aime worked primarily in oils in addition to other mediums. He frequently designed covers for Dorchester and Kensington, two publishing houses that hired artists with an eye for the outlandish.

Aime captured the curvaceous female forms in contrast against the more rigid muscles of the males in a most pleasing way.

While Aime’s technique is recognizable as his own, it does bear some resemblance to his fellow Italian illustrators. One can see similarities to the covers of Pino Daeni and Franceso Accornero. Note the blending of colors and the identifiable strokes.

17. Melissa Duillo-Gallo

Melissa Duillo-Gallo, daughter of artists John and Elaine Duillo, was influenced by both her parents, her mother’s romance covers in particular.

Elaine’s work is titillating and highly elaborate. Melissa’s art tends to the sweeter side with more playful emotions. Duillo-Gallo applied flamboyantly bright colors, exemplifying the feel of the 1980s and 1980s.

After she married, Melissa signed her covers as Gallo, not Duillo. Unlike her mother, she usually placed her signature away from the bodies.

Melissa also used less eyeshadow than her mother did, which is saying something!

18. Gregg Gulbronson

Gregg Gulbronson utilized a distinctive approach, making his covers both breathtaking and easy to recognize. Romance, sexuality, fantasy, and reality all meld together in Gulbronson’s art.

Gulbronson used spraying/airbrushing techniques, which made for a striking and individualized look.

Enveloped in a romantic haze, the couples in clinches are surrounded by a dreamy ambiance. The figures seem to glow as the light plays against their hair, skin, and clothes.

19. Ray Kursar

Ray Kursar was yet another artist with a noticeable style. His paintings look more like drawings. Kursar worked with multiple mediums to create his illustrations, such as pastels and watercolors.

He employed various elements to make his covers stand out: emphasis on bright colors, flowers, animals, and fabrics.

Hair is constantly flowing in the wind, while the locks of waves and curls are well-defined.

20. James Griffin

James Griffin‘s covers from the 1980s and 1990s are quite distinct from his 21st-century ones, even though both periods are stunning.

The late-era clinches are made digitally and approach hyperrealism.

Griffin’s illustrations of the “classic” era are more dramatic, with windswept hair and passionate embraces. The couples are shown leaning back or lying down, rarely standing straight up.

His graceful aesthetic resulted in book covers that emotionally resonated with the romance reader.

21. Charles Geer

Charles Geer might be known to readers of children’s books published from the 1960s to the 1980s–two of which he wrote himself.

Geer’s style is so distinct. There is much going on in his images, whether sketches or paintings.

His attention to the tiniest of subjects amazes the eye. He used uniform brush strokes to create spectacular backgrounds, intricate curls in the hair, or elaborate textures in clothing. The bright pigments twinkle like stars against their darker settings.

Geer’s scenes appear dream-like but are far more memorable.

Final Thoughts on Cover Artists

Sweet Savage Flame believes it’s essential to keep the memory of these skilled cover illustrators and their works alive.

Hopefully, by familiarizing yourself with these artists’ techniques, you’ll quickly identify their covers on sight. No more having to confirm with a signature!

Your Opinion

Do you think this a fair compilation of some best romance cover artists? Who are your favorite old-school illustrators?

Is there an artist you think we should have placed on this list but missing? What are your thoughts on painted versus digital cover art?

Please drop us a comment, and let’s talk romance!

Link: The Art of Robert E. McGinnis by Robert McGinnis and Art Scott

Review by Introvert Reader

The Art of Robert McGinnis, Robert McGinnis & Art Scott, Titan Books, 2014

For lovers of throwback historical and gothic romances, vintage pulpy reads and spy thrillers, or old movies and magazines, the name Robert McGinnis might be familiar. If it isn’t, then his works of art surely are.

The Art of Robert E. McGinnis by Robert McGinnis and Art Scott — Introvert Reader

A Master Artist

For lovers of throwback historical and gothic romances, vintage pulpy reads and spy thrillers, or old movies and magazines, the name Robert McGinnis might be familiar. But if it isn’t, then his works of art are. I consider McGinnis, along with H. Tom Hall and Elaine Duillo, the holy triumvirate of old-school pulp-gothic-romance cover illustrators, although who is the best can be debated.

The Art of Robert McGinnis is a glorious book depicting hundreds of beautiful McGinnis images.

Born in 1926, McGinnis has spent over 70 years creating book covers for almost every genre, magazine illustrations, portraits, and movie posters, such as the “Breakfast at Tiffany’s,” featuring Audrey Hepburn. He has worked almost exclusively in tempera paints.

robert mcginnis
Breakfast At Tiffany’s Movie Poster

After the paperback was introduced into the US by Pocket Books in 1939, the business model was for tasteful illustrations, and chic graphic design, almost like mini hardcovers.

When other publishers like Dell and Fawcett began producing their paperbacks, they appealed to a more pulp/comic-book-oriented market. McGinnis’s art was tailor-made for these kinds of books, especially the hardboiled mysteries.

Romance Book Covers and More

He started with covers for characters Mike Shane, Perry Mason, and Carter Brown, grew into spy thrillers like James Bond, and eventually entered the romance genre.

It was a logical choice, as McGinnis had a talent for depicting the feminine form most erotically (as well as males). He started in Gothics and then soon became the first Bodice ripper illustrator for works by Kathleen E. Woodiwss, like The Flame and the Flower:

Cover of The Flame and the Flower

And later, The Wolf and the Dove:

Artwork for The Wolf and the Dove

But he became super notorious for his Johanna Lindsey covers, starting with Fires of Winter (Haardrad Viking Family, #1) by Johanna Lindsey, which began a rage of naked men covers, where the hero would wear less clothing than the heroine. I loved that cover and remember sketching it over and over as a young teen. Supposedly, he painted this one where both hero and heroine were nude and had to cover up the heroine as an afterthought. No matter, I always thought the sight of those pale, naked men’s thighs was one of the most arousing things I’d ever seen. I eternally prefer them to jacked-up bare chests that inundate so many modern covers.

Fires of Winter Artwork

McGinnis’s cover for Lindsey’s Tender Is the Storm by Johanna Lindsey was hugely controversial, with many stores refusing to sell the book. Stickers had to be sent to booksellers to cover up the hero’s naked butt. (It does look like the hero is giving the heroine a gold ole titty bang, doesn’t it?


Besides Gothics and Bodice Rippers, other famous books McGinnis illustrated were epics like The Clan of the Cave BearMandalay, and The Merry Adventures of Robin Hood, which required extravagant wraparound covers in intimate detail.

Lover of the Female Form

Whatever modern art enthusiasts may have to say about McGinnis, there is no denying that he adored the female form. “The McGinnis woman” was plastered on hundreds of covers. Lawrence Block of the NY Times notes on the back of The Art of Robert McGinnis, “[He] can paint anything– a movie poster, a western landscape–and draw you in. But when he paints a woman, he makes you fall in love.”

“The McGinnis Woman is a mix of a Greek goddess and man-eating Ursula Andress. While today she might be interpreted as a sex object or adornment, she was conceived, in her day, to represent the empowered woman. The McGinnis Woman possesses a whirling narrative force all her own, a perfumed cyclone of sexuality, savvy, mystery, and danger. She also sells books—lots and lots of books.”

(Source: Vanity Fair)

More Than a Book Illustrator

Besides his hundreds of book covers, McGinnis is responsible for famous movie posters such as the aforementioned “Breakfast at Tiffany’s,” “Barefoot in the Park,” “The Odd Couple,” “Barbarella,” several Blaxploitation films, and most famously, the James Bond films.

I’m a Roger Moore fan (of course I would be), and I like this one from “Live and Let Die,” although McGinnis’s representation of Jane Seymour as Solitaire is slightly off.

“Live and Let Die” artwork for movie poster

Some of my favorites:

The Girl Who Cried Wolf:


Cotton Comes to Harlem:

As Old as Cain: (The woman is depicted after Goldie Hawn, the man after James Coburn. Can you tell?)

And this is McGinnis’s own favorite picture:

A Cat with No Name:

Opinion on The Art of Robert McGinnis

Don’t be fooled by the raunchy pictures and book covers. McGinnis has a fine eye for land and seascapes and personal portraits, as he painted Princess Diana.

I enjoy art, but I’m certainly no expert on it. I see what I like and know I like it. For me, Robert McGinnis is a genius of the 20th century, and hopefully, his legacy will live on for ages to come.

tender is the storm

Historical Romance Review: Tender is the Storm by Johanna Lindsey

historical romance review
Tender Is the Storm by Johanna Lindsey
Rating: three-stars
Published: 1985
Illustrator: Robert McGinnis
Published by: Avon
Genres: Historical Romance, Western Romance
Pages: 384
Format: Paperback
Buy on: AmazonThriftBooks
Reviewed by: Introvert Reader

Historical Romance Review: Tender is the Storm by Johanna Lindsey


The Book

So… About Johanna Lindsey‘s Tender Is the Storm.

Did You Hear the One About the Naked Guy?

A Cover Collectible

If you’re familiar with your romance history, then you must know of this book, even if you haven’t read it.

The cover of Tender Is the Storm is the notorious one designed by Robert McGinnis with the naked hero standing tall as the heroine kneels before him, her ample breasts pressed firmly against his–er…dongle.

Robert McGinnis, Cover Artist

Tender is the Storm was released in 1985 as Lindsey’s 10th consecutive bestseller. McGinnis’ artwork and Lindsey’s novels made for a powerhouse combination.

Their first two covers were pleasing enough, but starting with 1980’s Fires of Winter, McGinnis would upend the romance industry. Before that, most clinch covers would show the heroine’s heaving bosoms while the hero remained fully clothed. Fires of Winter portrayed a fully naked hero, his legs bent and splayed open, with the heroine lying between his thighs.

McGinnis was a great admirer of the sensual female form. Much of his work featured nude or scantily clad women–of all skin and hair colors–with tightly muscled yet voluptuous figures.

As a pulp, detective, and movie poster artist, he had many opportunities to display his talents for painting ladies. The romance revolution of the 1970s would now allow him to demonstrate his ability to create beautiful male figures.

I’ve said before that I am not fond of modern covers with dehumanizing headless torsos, waxed naked chests, and rippling 8-pack-abs. Even so, male eye candy is a sweet sight to behold! So thank you, Robert McGinnis, for being an equal opportunity exploiter of undressed males and females.

Yeah, He Was [CENSORED]

tender is the storm
From The Art of Robert McGinnis

I owned a first-edition copy of Tender Is the Storm when I initially read it 25 years ago. Alas, it was lost in the Great Book Purge, which I’ve spoken of many times before. Now, I’m stuck with a later edition with the hero’s ass [CENSORED].

The cover was so controversial at the time that booksellers from “coast to coast” refused to stock Tender Is the Storm on their shelves.

Avon had to rush out golden star stickers printed with “#1 EVERYWHERE” to place upon the hero’s buttocks. A second printing followed, this one with a circular starburst emblazoned upon the area of controversy, with the words “A COAST TO COAST BESTSELLER” on it.

tender is the storm
See? Now you can’t notice anything!

Did anyone really believe that no one would figure out what was going on beneath that “subtle” distraction?

The dude is titty-banging her, and she loves every minute!

About That Review of Tender Is the Storm

So… about Johanna Lindsey’s Tender Is the Storm.

Yuppers. It was a romance novel.

Perhaps if I’d read this from a “new-to-me” author, I would have enjoyed it more. Sadly, by Lindsey’s standards, this was mostly a meh read for me. She’s written much better books. (And some worse.)

The Plot

It’s the late 1800s in New York City. The Eastern heiress Sharisse Hammond finds herself fleeing from an arranged engagement to a high-society scion in a convoluted setup. Sharisse wants nothing to do with the union. When she discovers her sister is in love with the man, the two of them hatch a plan.

They find a newspaper ad a rancher placed looking for a wife. Sharisse responds to it, deciding her best option is to move out West and be a mail-order bride (to a man she knows nothing about). Talk about out of the frying pan and into the fryer!

Her groom turns out to be Lucas Holt. He’s a white man who’s familiar with the ways of the Native American people. He’s also a handsome devil, and Sharisse is very attracted to him.

The trouble is that she’s also attracted to Lucas’ identical twin brother, Slade. Slade shows up whenever Lucas isn’t around to torment and flirt with her.

Over time, Sharisse becomes accustomed to the arduous labors of being a Western bride. And in due course, she and Lucas draw closer. She becomes his wife in the complete sense of the word. Nevertheless, Sharisse remains strongly attracted to his bothersome twin.

Whatever will she do?

I usually appreciate a plot where the heroine is torn between twin brothers (My, that sounds absolutely naughty, doesn’t it?😋). I just wasn’t wowed here. Maybe it was the ugly font that soured me.

Final Analysis of Tender Is the Storm

This isn’t a terrible romance, not really. I judged Tender Is the Storm on a curve with the other Lindseys I’ve read and found it lacking in places.

The chemistry between Sharisse & Slade and Sharisse & Lucas was hot. But the plot was thin, even for this barely 300+ page book. The ending was predictable.

But please don’t let my opinion stop you from reading this one. Your mileage may vary.

3 Stars

Rating Report Card
Fun Factor
Overall: 3.6


Headstrong heiress Sharisse Hammond wants no part of the New York society marriage that has been arranged for her. So she heads west across a vast and dangerous land–with no intention of honoring her agreement to become the mail-order bride of a rugged Arizona rancher. But Lucas Holt needs a wife–any wife–if his plan to destroy his most hated enemy is to succeed. And this gullible Eastern lady would do quite nicely. However, their separate schemes to use one another are complicated by raw, aching passion. For Lucas’s beautiful, unsuspecting pawn was not supposed to be so irresistibly alluring. And freedom-loving Sharisse never dreamed she could ever desire one man so much!

Tender is the Storm by Johanna Lindsey
Bold Destiny

Covers of the Week #15

melissa duillo gallo

Artist: Melissa Duillo-Gallo

The Duillo family was filled with artistic talent. There was John Duillo, the great pulp cover artist. Of course, his wife Elaine was a pioneer for women in the field. She not only painted pulp covers but went on to become the “Queen of Romance Covers.” Did you know their daughter, Melissa Duillo-Gallo, was also a romance cover illustrator?

From the 1980s to the 1990s, Melissa Gallo (née Duillo), was a prolific historical romance cover artist, creating works for publishers such as Avon, Dell, Warner, Zebra, and more. While she and her mother no longer illustrate romance covers, Melissa is still creating art as a talented painter.

Melissa Gallo Paints is where you can get access to her current work. I also have a dedicated Pinterest page to her romance covers here.

For a long time, I used to get Elaine and Melissa’s artwork confused. Now I can spot the differences between mom’s and her daughter’s work. For one thing, Melissa Duillo preferred her models to wear more clothes, and also, she was more conservative with the use of eyeshadow, especially for the heroes!

Both Duillo ladies collaborated with supermodel Fabio many times.

The Covers

Here are some lovely romance covers that Melissa Duillo Gallo designed for you to enjoy. These are our Covers of the Week for Monday, July 19 to Sunday, July 25,

Historical Romance Review: So Speaks the Heart by Johanna Lindsey

historical romance review
So Speaks the Heart by Johanna Lindsey
Rating: four-stars
Published: 1983
Illustrator: Robert McGinnis
Published by: Avon
Genres: Historical Romance, Bodice Ripper, Medieval Romance
Pages: 358
Buy on: AmazonThriftBooks

Historical Romance Review: So Speaks the Heart by Johanna Lindsey

Spoiler & Major Douchebag Hero Alert ⚠

Caveat Emptor

I acknowledge that not all readers can tolerate a cruel, rapacious hero in their romance; that’s why I gave a rare warning for this book. It’s fair to compare So Speaks the Heart (which should be subtitled: Medieval Norman Psychopath Falls for French Co-Dependent and Fellow Anger Management Classmate) to another of Johanna Lindsey‘s works, A Pirate’s Love, which had a similar captor/captive trope.

However, So Speaks the Heart is–IMO–better than the latter because:

  1. This heroine is not a spineless jellyfish; she fights back and is strong in her own way.
  2. The hero is more than just a good-looking rapist who eventually falls in love with the woman he’s been tormenting.

Ok, he’s as deep as a crack in the sidewalk, and, yeah, he’s still a bully and a douche. But his background is fleshed out a lot more; therefore, we understand why he’s such an arsehole. So I can sort of forgive this hunk of a warrior for his caveman behavior. Plus, this is not a book to take seriously; it’s too whacktastic.

The heroine is spunky, although not in a too-feisty-she’s-annoying-way. She gives as good as she gets to a hero who is a thick-headed block of wood.

The Violent Hero

After his life is saved in battle, Sir Rowland de Montfort vows to repay his savior by visiting the knight’s castle and ensuring all is well with the knight’s beloved sister, Brigitte. Instead, greedy relatives trick Rowland into believing Lady Brigitte is, in fact, a trouble-causing serf.

Rather than listen to reason, the dude is dead set against hearing anything the filthy “peasant” has to say. Rowland is a crazy character and would be diagnosed today with Borderline Personality Disorder and maybe Narcissistic Personality Disorder as well.

He goes from spouting things like this:

“On the contrary. I know a woman can have sweet words when she wants something, and that otherwise, she is a bitch. No, I want no wife nagging at me. I would sooner rot in hell than marry.”

To being nice:

He brought his hand up and caressed her cheek with his fingers. “For you I will change…”

There was a long, surprised pause, and then she asked, “Why?”

“To see you smile more often.”

To back to being crazy, this time rapey and violent:

“Before Brigitte could find the words to plead with him, Rowland’s belt descended on her back. She gasped and cried out.”

He’s crazed and all over the place. Most sane readers would stop after one of Rowland’s brutal outbursts, but for some reason, I went on, fascinated. Rowland is a primitive Dark Ages knight who believes he has a right to treat disrespectful servants with discipline, as he is the son of a powerful lord. Rowland refuses to believe Brigitte is who she claims she is because he’d prefer to think he’s merely kidnapped and violated a serf girl rather than pissing all over his “honor” by abusing the sister of the man who saved his life.

The Beyond Feisty Heroine

Rowland is cruel to Brigitte, but she doesn’t cower or cry. She knows she is a lady and rages at the injustice of her situation. Although perhaps her reactions are not “lady-like,” she responds with righteous anger:

“I do not ever want to hurt you!” he said furiously. “You force me to it!”

“Oh, of course, milord,” she said, just as furiously. “I am the cause of all my pain. I even beat myself.” He stepped toward her menacingly, but she stood her ground. “What? Am I going to beat myself again, milord?”

“You are awfully saucy for a wench who has just been beaten.” He frowned. Her eyes grew larger.

“Norman bastard! If I were a man I would kill you!”

Rowland’s not the only one who catches Brigitte’s ire. When catty ladies call Brigitte a bitch, she gives it right back:

Brigitte laughed humorlessly. “Well, perhaps a bitch is what I am, but of the two of us, you are the whore. I have heard the gossip about you, and surely Rowland has, too.”

Hey, at least they have being jerks in common. That’s a soli6yd basis for a stable, long-lasting relationship, right?

Final Analysis of So Speaks the Heart

So Speaks the Heart is a no-holds-barred, non-PC, old-school romance. If this kind of stuff melts your twisted heart, regardless of how dickish the hero’s been:

But there was a rage in him that fought to be released, the rage of a little boy begging for love, the rage of a little boy beaten, scorned, humiliated cruelly. All of it, his rage reminded him, need not have been.

Then you might enjoy the emotional ride.

Rowland denies his actions against Brigitte were cruel or excessive. In the end, though, he realizes what a jerk he was and tries to become a changed man when he realizes he’s in love. Rowland does get a sort of comeuppance, a humbling, where he comprehends how badly the situation was FUBAR’d.

He does a decent grovel at the end, if that matters. Not that I think groveling makes up for all of Rowland’s misdeeds, but this is a romance novel, a fantasy, so reality has no bearing in this story.

“What do you want to hear from me? That I could not bear to see you go? That if you are not near me I feel as if a part of myself is gone? I am a man of war, Brigitte. I know nothing of tender words. So do not expect them from me.”

“You just said them, Rowland,” she whispered softly.

I’m twisted. Plus, I have bad taste, so I like this sort of thing. It’s understandable if this book turns you off; it certainly didn’t turn me on!

This was a dark descent into the minds of two beautiful, self-centered people who lived in a time where, perhaps, such brutal, fanciful events could occur. I kept turning the pages to the very end. I’m not sure about So Speaks the Heart as a romance, but as a character study, it’s fascinating.

4 Stars

Rating Report Card
Fun Factor
Overall: 4.1


Born a wealthy French heiress but betrayed into bondage, Brigitte de Louroux swears she will never be any man’s slave. Rugged and powerful Rowland of Montville sees only a beautiful enchantress in peasant’s rags–a wench to serve his every need. Defenseless against his unbridled passions, Brigitte is forced to yield her innocence to the desires the warrior lord arouses in her heart. But her surrender will vanquish the handsome knight–awakening within him a love as mighty and relentless as his conquering sword

So Speaks the Heart by Johanna Lindsey
My Lord Monleigh

Covers of the Week #14

Theme: Highland Romance Novels

For the week starting Monday, July 12 to Sunday, July, 18, I thought some Historical Highland romance novels or Scottish-themed covers would be a bonny sight for your eyes to enjoy.

wicked loving lies rosemary rogers

Historical Romance Review: Wicked Loving Lies by Rosemary Rogers

historical romance review
Wicked Loving Lies by Rosemary Rogers
Rating: five-stars
Published: 1976
Illustrator: Robert McGinnis
Book Series: Challenger #1/ Morgan-Challenger #3
Published by: Avon
Genres: Historical Romance, Bodice Ripper, Regency Era Romance
Pages: 663
Format: eBook, Paperback
Buy on: AmazonAbeBooks
Reviewed by: Introvert Reader

Historical Romance Review: Wicked Loving Lies by Rosemary Rogers


The Book

Wicked Loving Lies by Rosemary Rogers is her fourth and–in my opinion–her best book. This is peak bodice ripper fun; it’s salacious, entertaining, and attempts (and succeeds) at profundity.

I’ll probably rewrite a more in-depth analysis of this historical romance at another time. For now, here are my reading notes assembled into a semblance of a review.

His lips touched the back of her neck and moved along her stubborn shoulder. One hand stroked her breasts, and the other moved unerringly between her thighs; he found the most sensitive part of her and moved against her and in her until her half-formed protests turned into soft, stifled moans.


The Story

Readers, do these plot points sound fun to you?

  • Traveling to almost every continent in the world
  • Affairs with noblemen, warriors, and even Napoleon!
  • Being a criminal on the run
  • Highwaymen, high seas action, and harems
  • Buttsecks
  • Getting branded with your husband’s initials after he bangs you in front of your new lover… And then said lover gets so aroused, he bangs you afterward!

If you have a high threshold for triggering issues like:

  • Overbearing alphas,
  • Forced seduction
  • Forced marriage of convenience
  • Adultery
  • Rape
  • Slavery
  • Racism
  • Kidnapping
  • Murder
  • Divorce
  • Abandonment
  • A mother having her only child taken away from her

Plus, enjoy a hefty dose of second-wave feminism from a heroine who goes to hell and back several times over…

If any of this sounds like your idea of a thrilling read–because it certainly is–then Wicked Loving Lies by Rosemary Rogers might be a book you’d want to pick up.

wicked-loving-lies-rosemary rogers2014
Wicked Loving Lies,
Rosemary Rogers, Mira, 2014 re-issue

My Opinion

As far as I’m concerned, this is Rosemary Rogers at her prime.

Some parts of Wicked Loving Lies were scorching hot, like Chapter 17. Other parts were heartbreaking. Many parts were shocking.

There’s only one thing this book NEVER is: boring!

That’s what I loved about these the best of these older romances, there was always so much stuff going on you never had time to overanalyze and nitpick, you just kept moving.

Rosemary Rogers knew how to write a page-turner.

The Proto-Feminist Heroine

“Oh damn men and their superior ways. From now on I’ll stand on my own two feet and fight for what I want–anyway I have to, with my body and my wits… Why not? It’s a man’s world, what other choice do you leave a woman who possesses a mind?


Those words are from Marisa, the heroine of this amazing, action-packed bodice ripper by the Original Great, the legendary Rosemary Rogers.

Marisa is a heroine you want to smack or shake or hug or give a big old high five.

She’s amazing as she never gave up, even though life kept coming at her with no remorse. Except for when she thought her beloved Dominic was dead.

And even then, Marisa was not going out without taking someone else with her.

Final Analysis of Wicked Loving Lies

Wicked Loving Lies by Rosemary Rogers is an excellent experience for bodice ripper enthusiasts but not for the faint of heart.

This book will shock you. I loved it!

5 Stars

Rating Report Card
Fun Factor
Overall: 4.8


Born of scandal and denied his birthright, Dominic Challenger took to the sea, charting his own future. A true rogue, Dominic answers to no one, trusting only himself. Until Marisa.

Born of wealth and privilege, Marisa is a prisoner to her father’s expectations. When the sanctuary she has found behind the walls of a convent is threatened by the news that her father has arranged for her to marry, Marisa flees…right into the arms of a pirate.

From the safety of a sheltered convent to a sultan’s harem, from the opulence of Napoleon’s court to the wilds of the new frontier, Marisa and Dominic brave all that they encounter in this thrilling age: intrigue, captivity and danger. And above all, an enduring passion that ignites into an infinite love.

a pirate's love hero rapes heroine mcginnis

Historical Romance Review: A Pirate’s Love by Johanna Lindsey

historical romance review
A Pirate's Love by Johanna Lindsey
Rating: one-star
Published: 1978
Illustrator: Robert McGinnis
Published by: Avon
Genres: Historical Romance, Bodice Ripper, Pirate Romance
Pages: 373
Format: eBook, Paperback
Buy on: AmazonThriftBooks
Reviewed by: Introvert Reader

Historical Romance Review: A Pirate’s Love by Johanna Lindsey


The Book

Johanna Lindsey’s A Pirate’s Love is her second romance, published in 1978. It features your basic pirate plot: a heroine is sailing across the ocean, all set to marry a cruel, faceless fiance. Her ship is boarded by pirates, and the captain takes her as his love slave.

And to no one’s surprise, the hero rapes the heroine. Over and over.

I liked Lindsey’s first book, Captive Bride, which had a similar plot, except with a desert sheik instead of a pirate. Even though it was a flawed book, it had its charm.

This book, on the other hand…

I Didn’t Love This Lindsey

I hated A Pirate’s Love for many reasons, some based on logic, most others based on pettiness. If you’re looking for a great review that does a better job explaining why this book blows, search elsewhere. I’m just going to go on a diatribe based on my ever-waning recollections of this “romance”:

The multiple rapes that the hero commits upon the heroine didn’t really faze me, although they did get redundant. After all, it’s a bodice ripper, and that’s what comes with the territory. If a hero raping the heroine offends you, best not read this genre. It was everything else in Lindsey’s second-published book that I despised.

Embrace the Hate

Hate #1

I hated Bettina and her knee-length hair that’s easily hidden under a hat! (Apologies to the beautiful Johanna, who actually had knee-length hair. She could have easily passed for one of her heroines.)

Hate #2

I hated how Bettina cried over her dresses and how ill-tempered she was and hearing about her flashing eyes that were blue one minute, then green another. Not blue-green eyes, mind you, that look different depending on the light or what colors they reflect. Her eyes just change color randomly with her emotions. She’s like a human mood ring.

Hate #3

I hated Tristan. He was such beta-fish, shaving his beard off when Bets demanded it of him. Some tough pirate, eh? Plus, I don’t like the name Tristan. I joke about the overused names in Romancelandia that are so overbearingly macho and repetitive, but Tristan Matisse just doesn’t inspire fear. He’s French, so why not Capitaine Sauvage? It may sound cliché, but it’s better than that prissy name.

Hate #4

I hated Casey O’Casey. There’s another stupid name for a stupid character.

Hate #5

I hated Bettina’s mother. Or was it the maid? Or was it both women who gave Bettina horrible life advice? Don’t remember, don’t care.

Hate #6

I hated the lack of romance. I hated the lack of variety in action. All the hero does is rape the heroine. It all seemed to blur together: rape, fight, escape, repeat; rape, fight, escape, repeat, etc.

Hate #7

I hated how antagonists were portrayed. In a pirate book set in the 1600s, it is natural to have Spaniards playing the villains to the English/French buccaneer heroes, but in A Pirate’s Love Lindsey laid it on a bit thick, reaching Leyenda Negra levels of ridiculousness. As their wicked deeds fell just short of infant necrophilia and cannibalism.

Hate #8

I hated the stupid coincidences at the end of this book. I mean, really? All of them happening at once?

a pirates love2
A Pirate’s Love, Arrow, British alt cover

Final Rant on A Pirate’s Love

Why would I despise A Pirate’s Love when it’s not so different from Johanna Lindsey’s early, more “serious-toned” works, like Fires of Winter, which was one of my teenage favorites? Or So Speaks the Heart, to which I gave a favorable review? The dimwitted, hunky hero rapes ( and forcibly seduces) the heroine in both those books.

Maybe I was feeling sick the week I read this, or maybe I was stressed by heavy loads of classwork, or I was on my period.

Or maybe–just maybe–this book does indeed reach epic levels of suck. It’s just so blah.

A Pirate’s Love is not the worst Lindsey book because at least I could finish it. As repetitive as it was, it did draw out emotions from me, which is more than I can say for her later soporific works I dislike.

Ah well. Lindsey wrote so many books that it’s natural I’m bound to dislike one or two of them. A Pirate’s Love just happens to be one of them.

1 Star (Cover points do not count)

Rating Report Card
Fun Factor
Overall: 1.8


Sun-Blazed Beaches
With languid tropical breezes caressing her breathtakingly beautiful face, Bettina Verlaine stood before the mast, sailing westward to fulfill a promise her heart never made – marriage to a Count her eyes had never beheld.

Then in a moment of swashbuckling courage, the pirate Tristan swept her away and the spell of his passion was cast over her heart forever.

But many days – and fiery nights – must pass before their love could flower into that fragile blossom a woman gives to only one man.

the wildest heart rogers

Historical Romance Review: The Wildest Heart by Rosemary Rogers

historical romance review
The Wildest Heart by Rosemary Rogers
Rating: three-half-stars
Published: 1974
Illustrator: H. Tom Hall
Published by: Avon
Genres: Historical Romance, Bodice Ripper, Western Romance
Pages: 608
Format: eBook, Paperback
Buy on: AmazonAbeBooks
Reviewed by: Introvert Reader

Historical Romance Review: The Wildest Heart by Rosemary Rogers


The Book

In Rosemary RogersThe Wildest Heart, Lady Rowena Dangerfield is a beautiful woman who men value for her beauty, wealth, or both.

Rowena was a heroine who intrigued me right from the start. She was indifferent to men. Despite their passion for her, she could not love anyone except outlaw Lucas Cord.

For Lucas, Rowena was willing to renounce her inheritance or even die with him in the perilous mountains. Despite his conflicted past, Lucas was the only man to love Rowena for herself alone.

The Negative Aspects

Although I mainly read romance for the love story, I enjoy experiencing the heroine’s travails. I appreciate seeing a heroine’s struggles through life, as the hero is relegated to the background while the she thrives and matures. In a way, The Wildest Heart is one of those books.

Normally this would be enough for me. But Rogers is too passionate a writer to keep the hero as the mere prize the heroine wins at the end for completing her journey.

On top of that, the book ran too long.

Wicked Loving Lies was longer, yet every page of that novel was packed with action. I couldn’t wait to see what WTFery occurred next. Here the 1st-person-POV hinders the pace here because, naturally, there will be more introspection. The action is lean, the mental musings are long.

When He Loves Two Women

Other than a hero who weeps over his dead wife or lover, the only trope I hate more is a Mama’s boy. Lucas is no Mama’s boy, but he is obsessed and in love with the woman he as a boy thought was his mother. That sticky situation puts him in a weird gray category until the end.

The bewitching Elena is much older than Lucas but doesn’t look it. (Wouldn’t it be nice for once if the sexy older woman actually looked like a sexy older woman rather than preternaturally young?)

Lucas had been a lonely boy raised by the Apache. Later, he wasn taken in by his Mexican father, who had no love for him.

Elena manipulated young Lucas and gave him love when he had never known any before. She taught him to hate Todd Shannon, part-owner of the SD Ranch.

This was all heard second hand by Rowena. If I had seen it through Lucas’ eyes or read about it in his head, I’d have appreciated his story more and thus feel more satisfied overall.

rosemary rogers the wildest heart

I Needed More Perspectives

If The Wildest Heart hadn’t been written primarily in a 1st-person diary format, I would have loved it for the epic range of emotion and intrigue. It would have been a thrill ride on a par with Rogers’ other great bodice rippers, Sweet Savage Love & the previously mentioned Wicked Loving Lies.

Rowen was the overwhelming focus. As much as I understood and admired her, I needed other perspectives.

It would have been fine if the action was interspersed with Rowena’s diary entries. There should have been other characters’ viewpoints.

That only the prologue and epilogue were written in 3rd-person was a huge mistake. With a novel of such a grand scope, more than just Rowena’s thoughts were needed.

Other Gripes

One thing I’m certain about is that Rebecca Brandewyne read this novel, for I can see the influences of The Wildest Heart in Brandewyne’s magnum opus, Love Cherish Me.

It’s all here:

  • The grand scope of a western epic.
  • The fast-shooting cowboy of Spanish descent who raised among the Indians and speaks with a pronounced Western drawl.
  • A black-haired heroine on her way west to an unknown future.
  • A powerful, older rancher who demands the heroine’s hand in marriage.
  • The rancher’s younger relative who loves the heroine and fools her into thinking he’s a good guy.

Wait, there’s more!:

  • The murder trial.
  • The scandalous couple united against the world at the end.
  • And the epilogue as they head into town with their children, while the townspeople wag their tongues about their past shocking antics.

I adored Love Cherish Me. It’s one of my top 10 or 15 bodice rippers, along with the other Rosemary Rogers romances. The Wildest Heart doesn’t reach that level of adoration.

Why not? For being such a smart woman, Rowena certainly made stupid decisions.

She ignored her dead father’s urgent request to read his diaries as she simply didn’t feel like doing so. Sloth is certainly my favorite sin, but she could have skipped to the end of those diaries and taken a gander at what the brouhaha was about.

Then her dumb mistake of trusting the obviously telegraphed villain!

We gave each other, with our bodies, the commitment that neither of us dared put into words. We mated. There is no other word for it. We were equal—man and woman; neither asking what we could not give…

Now, the Positive Aspects

When it came to Elena versus Rowena, those scenes were awesome. I wanted more Rowena-Elena showdowns.

Two alpha women fighting not just for a man but for power over all. I love a great villainess; she makes the heroine stronger.

As said, I appreciated Rowena’s cold personality, which was her coping mechanism to deal with a crazed life. She was certainly passionate where Lucas was concerned.

It was a pleasant surprise that there was no annoying gypsy dancing on Rowena’s part. A heroine dancing like a gypsy in a Rogers novel is akin to a woman from the British Isles being captured and placed in a harem for a Bertrice Small plot. It’s what they do.

The book’s climax was thrilling as in the last chapters, Lucas and Rowena head into the mountains to flee from her wicked husband and fight off armed soldiers.

The passionate relationship between Lucas and Rowena. This was more passion felt by Rowena than by Lucas. Although I prefer a slightly enigmatic hero, it’s nice to know his feeling for the heroine, too.

Finally, was the wonderful epilogue where we did see Lucas’s thoughts. How much more fabulous would it have been if we’d known more of them? If not thoughts, then to witness his actions firsthand without Rowena hearing of them secondhand.

Final Analysis of The Wildest Heart

The ending did make up for the first third of The Wildest Heart, where Lucas was nowhere to be found. I adored this passage near the finale:

They looked into each other’s faces; searching, renewing, re-evaluating. It was as if, without words, Rowena was saying: “I love you, and I have chosen you. There is room in our lives for other people too, now that we are sure of each other.

The Wildest Heart by Rosemary Rogers was a gripping read, with compelling characters. But it doesn’t rank among the best bodice rippers ever.

Rating Report Card
Fun Factor
Overall: 3.6


No man can own Rowena Dangerfield–a sensuous, strong-willed lady with a fiery, unchained spirit–though many desire her. She had come to claim her birthright, following her destiny to the sprawling New Mexican frontier…and to the only man who can tame her restless heart.

A handsome half-Apache branded an outlaw–a rebel and renegade feared throughout the territories–Lucas Cord’s body and soul cry out for the beautiful, headstrong stranger who has burst into his world. And neither peril nor the treachery of desperate men will prevent him from taking what he wants…or restrain a rampaging passion as wild and hot as the Southwestern winds.

heart so wild

Historical Romance Review: A Heart So Wild by Johanna Lindsey

historical romance review
A Heart So Wild by Johanna Lindsey
Rating: four-half-stars
Published: 1986
Illustrator: Robert McGinnis
Book Series: Stratton Family #1
Published by: Avon
Genres: Historical Romance, Western Romance
Pages: 368
Format: eBook, Paperback, Hardcover
Buy on: AmazonThriftBooks
Reviewed by: Introvert Reader

Historical Romance Review: A Heart So Wild by Johanna Lindsey


The Book

I just realized I had Johanna Lindsey‘s western romance A Heart So Wild on my Kindle. Since I hadn’t read it in 25 years, I figured why not give it a re-read?

And you know what? I loved this book more the second time around than the first.

The Plot

Why did I enjoy A Heart So Wild that much?

  • Heroine & hero “meet” when the heroine, Courtney, is getting sexually assaulted by an outlaw. What does the hero do? He sees a man messing with a woman and right away shoots the bad guy dead.
  • Enigmatic hero with a mysterious and tragic past.
  • The heroine needs a gunslinger to guide her through hostile Indian territory to find her missing father.
  • The hero, Chandos, fights, beats, and kills men who try to kidnap or try to rape the heroine.
  • A snakebite where the heroine sucks the blood out of the hero’s wound for an hour (!), and then he gets sick, revealing more in his fever dreams than he would if he was fine.
  • Quick love scenes that express passion, aren’t too purple in prose, and don’t go on for endless pages.

This western trek romance takes us through the deserts and wilderness as Courtney and Chandos travel to find her long-lost father. A Heart So Wild is more of a character-driven than a plot-driven romance, which is fine by me.

I’m so glad I gave this one a reread, as it made me remember why for such a long time, Johanna Lindsey was my favorite author: she’s easy to read. Sometimes reading is a chore, and it shouldn’t be if it’s a hobby I supposedly love.

The Characters

Courtney is a pleasant enough type. She grows on you as the story develops. And Chandos is just… Well, he’s the kind of hero that made Lindsey sell tens of millions of books.

He’s a hard nut to crack, but once Chandos falls, he falls hard and forever. Still, he retains that stubborn arrogance that was a trademark of the heroes in the first half of Lindey’s career.

“You’re my woman, cateyes. You’ve been my woman since I first laid eyes on you.”

That didn’t satisfy her. “Say it!”

He grinned and jerked her down onto his lap, where she sat stiffly, waiting, until at last he said, “I love you. Is that what you want to hear? I love you so much I’ve got no direction without you.”

“Oh, Chandos.” She melted against him, wrapping her arms around his neck. “I love—”

“Uh-uh.” He stopped her. “You better think real carefully before you say anything, cateyes, because if you give me your love, I’m not going to let you take it back. I can’t keep worrying about whether or not I can make you happy. I’ll try my best but there isn’t going to be any changing your mind later. Do you understand what I’m saying? If you’re going to be my woman, there’s no way in hell I’ll ever let you go.”

Final Analysis of A Heart So Wild

Chandos is a wonderful Lindsey hero. Courtney is a likable, strong-willed heroine. Together they make for a sizzling combination.

Johanna Lindsey would revisit Courtney and Chandos in All I Need Is You, which tells the tale of their bounty-hunter daughter. That book was okay.

A Heart So Wild is one of Lindsey’s best, of which there are many!

Rating Report Card
Fun Factor
Overall: 4.6


Courtney Harte is certain her missing father is a alive, lost somewhere deep in Indian territory. But she needs a guide to lead her safely through this dangerous, unfamiliar country, someone as wild and unpredictable as the land itself. And that man is the gunslinger they call Chandos.

Courtney fears this enigmatic loner whose dark secrets torture his soul, yet whose eyes, bluer than the frontier sky, enflame the innocent, determined lady with wanton desires. But on the treacherous path they have chosen they have no one to trust but each other–as shared perils to their lives and hearts unleash turbulent, unbridled, passions that only love can tame.

CATEGORIES: , , , , , , , ,