“I would not regret putting a hole in your arrogant chest, only it would be deflected when it hit that piece of rock you call a hart.”DEVIL’S DESIRE
Writing Sweet Romance Adventures… with Dad?
A Historical Romance Pioneer
Laurie McBain was born in Riverside, California on October 15, 1949. From 1975 to 1985 she released 7 romances for Avon.
Her father promoted Laurie’s love of writing and history by aiding her in her efforts to create her first historical romance, Devil’s Desire, which was published in 1975 by Avon. This was three years after the release of Kathleen Woodiwiss‘ The Flame and the Flower and two years after Rosemary Rogers’ Sweet, Savage Love. A new generation of romance authors created books readers were hungry for, and McBain, then only 26, helped fill that void.
Laurie McBain was not a bodice ripper writer. However, she was an instrumental writer of the pioneering era. Her books are sweet romances that used sex sparingly, and the dynamics between the protagonists were less intense than what one would find in, say, a Rosemary Rogers novel. There’s more drama from the villains in her books than from any of her heroes or couples.
McBain’s first novel, Devil’s Desire, was a Regency-era romance with a heroine on the run from evil enemies, who is forced to marry the not-so-rakish rake of a hero for protection.
Her next book, which I love, was Moonstruck Madness, arguably her most successful and best work, but that might be due to my personal prejudices. Arrogant blond, scarred hero in powdered wig & lace who excels at sword dueling + heroine disguised as male + highwaymen + mid-Georgian setting = me swooning. The sequels about their daughter, Rhea Claire, were the thick tomes Chance the Winds of Fortune and Dark Before the Rising Sun. Lamentably, I found those to be a bit over-written, thinking that her tale would have been better told in one book.
McBain sold a lot of sweet, adventurous romances for Avon. She was a great success, her first novel selling a million copies, her second book, Moonstruck Madness, even more. The latter book was so popular, it had multiple reprintings and two cover runs (I prefer the solo female). All her book covers were painted by instrumental artists in the genre: H. Tom Hall, Harry Bennett, Pino, and Elaine Duillo.
Unfortunately, McBain’s career as an author came to a halt in the 1980s. After the death of her father in 1985, McBain seemingly retired from writing and the public sphere.
More to Come in the Future?
However, there were reports at Romantic Times during the late-1980s to the mid-1990s that McBain had completed, or at least was working on, another novel. As some authors from the golden age of romance are re-releasing their backlists on e-format and/pr producing new work, there may be one or two unpublished Laurie McBain manuscripts somewhere, waiting to be disseminated to the public.
Keep your fingers crossed, as there’s no harm in hoping just for that.