15 “Best” Old-School Historical Romances
Best Bodice Rippers or Just Old School Romance?
Sweet Savage Flame has compiled a list of “the best romance novels/ bodice rippers,” demonstrating the genre’s evolution in the last third of the 20th century. These are 15 old-school historicals we consider to be must-reads for those who wish to understand the roots of the romance industry.
Detractors of these novels may disparage them as mere bodice rippers. To us, a “bodice ripper” romance is a term of endearment. We embrace it without shame. Moreover, we appreciate how pivotal that (unfairly maligned) subgenre was in the era’s early years.
There are books on this list that, indeed, are “hardcore” bodice rippers–i.e., romances where the hero forces himself on the heroine. Such was the nature of the early years of the old-school romance era. But as the list goes into the late 1980s and the 1990s, they have disappeared.
This List Has Only Some of the Best Romances; There Are Many More
Sweet Savage Flame’s position on such controversial matters is never to shrink away from the past. We look back head-on and try to investigate, analyze, reflect, and understand.
Most of our picks are seminal works that transformed the industry’s evolution. A few are so notable or unforgettable we feel they merit special appreciation.
Links to our opinions and ratings are provided in the descriptions, but five of the fifteen listed are yet to be reviewed by our staff. We have read all of these and consider them essential reads. We aim to review all books on this list in the upcoming year.
Please note this is not a complete compilation of essential works. This is just a small sample of relevant texts from the thousands of paperback romances published from 1972 to 2000.
The List of 15 Romances to Read, in Chronological Order
#1 The Flame and the Flower
Kathleen E. Woodiwiss radically transformed the concept of the romance novel with The Flame and the Flower. Before its 1972 publication by Avon, romantic novels with happy endings never included “explicit” sex scenes between protagonists.
After the hero of The Flame and the Flower, Brandon Birmingham, mistakes the heroine, Heather, for a prostitute, he forces himself upon her. Too late, he discovers the girl is–was— a virgin.
Throughout this doorstopper of a book, Brandon violates Heather several more times before they mutually consent to make love. This is due to Brandon’s transformation into a kinder, more decent man, all to be worthy of Heather’s love.
Contemporary perspectives would consider Brandon’s behavior to be criminal. Nevertheless, fifty years ago, millions of readers were drawn to this love story, viewing the actions as part of the fantasy of “forced seduction.” This was ostensibly a plot device that allowed unmarried virgins to be sexually active without guilt.
The closed-door love scenes for “good girls” were now relics of the past. Although today we categorize The Flame and the Flower as old-school, it marked the start of the “modern era of romance.” The bodice ripper was born.
And the romance genre–and books overall–would never be the same.
#2 Sweet Savage Love
Capitalizing on the success of The Flame and the Flower, Rosemary Rogers‘ first book ratcheted up the melodrama and sexiness to a new level of extreme. Rape, forced seduction, multiple partners, cheating, and violence were prevalent parts of the story.
Women couldn’t get enough of it, catapulting Rogers to fame and riches.
Sweet Savage Love sold millions and millions of copies, resulting in several sequels and spinoffs.
This revolutionary Western told the tale of Ginny Brandon and Steve Morgan. Here, Rogers’ depicted a heroine who could enjoy sex with men besides the hero.
Inevitably, it seemed this type of ultra-sexual romp would mark the course of historical romances for the foreseeable future.
#3 Moonstruck Madness
This swashbuckling old-school historical romance was a huge best-seller and the first in a popular trilogy about the Dominick Family.
The plot differed from Woodiwiss’ and Rogers’ works in that lovemaking was consensual. There was no bed-hopping, and the violence was not gratuitous.
Moonstruck Madness was a kinder, gentler offering with no bodice-ripping in sight.
Fans flocked to the more tender romantic style. It ultimately produced long-term success.
#4 The Silver Devil
The Silver Devil’s Duke Domenico is possibly the most extreme anti-hero ever to appear in an old-school romance novel.
Over 45 years after its publication, many readers frequently discuss this book still highly-talked about and consider it one of the best bodice rippers ever written. Teresa Denys’ first-person-POV romance with an Italian beauty is
The powerful and megalomaniacal Duke sees the heroine Felicia at her window, desires her, and soon purchases her from her brother. Domenico’s obsession over her reigns supreme; he goes into murderous rages at the slightest hint of jealousy.
The prose in The Silver Devil is magnificent. The scenes of violence and brutality are intense. The hero is…a complicated man. The novel ends with the typical HEA. Even so, it’s hard to see a happy ending lasting beyond the pages of this book.
If you’re fortunate enough to find the Ballantine edition with the H. Tom Hall cover, it could cost you up to several hundred dollars.
#5 Fires of Winter
Johanna Lindsey‘s third novel, Fires of Winter, was a Viking romance about a captive Welsh woman and her Nordic owner. Marauders raid Lady Brenna’s home, kill the men and enslave and ravish the women. They spare only Brenna from ravishment and violence as the Viking leader has plans for her. She is a valuable prize that he plans to gift as a slave to his youngest son.
Just over 300 pages long (half the length of Woodiwiss’ and Roger’s fat epics), Fires of Winter is a lean, action-packed lean, bodice ripper.
The theme here is all about the battle between the sexes. Although there is forced seduction/ rape, this romance has no cheating. That made quite a difference to many readers looking for monogamous love stories.
However, the couple does argue–a lot. This was common in many of Lindsey’s earlier works.
Johanna Lindsey cemented her status as one of romance’s top best-selling authors with this bodice ripper. The Robert McGinnis romance novel cover design is legendary, featuring the first naked man on a romance cover.
#6 Skye O’Malley
In this Tudor-era romance, the beauteous Irish lass Skye O’Malley amasses numerous husbands, lovers, children, and enemies.
And many true loves.
This is the lustiest of bodice rippers. Skye experiences the most rollicking adventures any heroine in Romancelandia could only dream of.
#7 Savage Ecstasy
Janelle Taylor’s Savage Ecstasy wasn’t the first historical bodice ripper published by Zebra books. It wasn’t even the first best-seller out of Kensington’s flagship imprint. It was, however, the one that firmly marked the largest US independent publisher on the map as a major player.
In the decade that followed, Zebra would be a dominant force to be reckoned with in the romance field.
Savage Ecstasy sold over a million copies, as did its sequel, Defiant Ecstasy. It spawned a long-running series that told the love stories of Gray Eagle and Alisha and their children and their spouses.
Savage Ecstasy was one of the first publications of the enormously popular Native American romance subgenre. Readers consumed these romantic novels in droves until well into the 2000s.
Christine Monson’s Stormfire is perhaps one of the genre’s last hardcore bodice-rippers. Stormfire made some romantic novels of the 1970s appear tame in contrast. This tale of vengeance is extreme in its brutality. Set in
From the moment the heroine is kidnapped and violated by the hero, we can see this is not a romance for the faint-hearted.
Like The Silver Devil, Stormfire transcended its seemingly sordid content through thoughtful, superb writing and intense characterization. Also, like that other romance, this is considered one of the best bodice rippers ever. Plus, it’s hard to find and expensive if you do!
#9 Whitney, My Love
Whitney, My Love by Judith McNaught is the story of a gawky, coltish girl in love with a charming young man who barely notices her.
She goes off to finish school and returns a beauty. Then Whitney Stone finds herself forced into marriage with the dark Duke of Westmoreland. After a tumultuous beginning, they slowly learn to love one another.
Whitney, My Love is a beloved classic to this day. It reinvented the Regency romance by making it more sensual and increasing the page length and scope.
#10 A Knight in Shining Armor
Jude Deveraux’s A Knight in Shining Armor is a tear-jerker of a travel romance. Take note of the book’s cover. It was not Deveraux’s typical stepback or clinch cover but a simple design showing an encircled gauntlet holding a flower.
This was a sign of “respectability” for Deveraux, signifying that she was one of Pocket Books’ most successful authors. A Knight in Shining Armor had been released in a hardcover edition in 1989 before being printed in paperback, extremely rare for romance writers, who had always been associated with with “pulp” genre.
The heroine, Douglass, is transported back to Tudor-era England and falls in love with an Elizabethan knight. Things take a twist when she returns to the future.
And so does the hero! But now he doesn’t recognize her.
The pair fall in love both in the past and the present eras. Will they ever find their forever somewhere in time?
#11 Gentle Rogue
Yes, Johanna Lindsey appears twice on this list–for a good reason.
Lindsey’s Gentle Rogue might not be historically accurate as for a Regency romance. Yet it’s so whimsical, romantic, witty, and the best of her Malory series; it’s a gem!
James Malory is an absolute cad. The tables are turned on him when he falls in love with a beauty disguised–quite poorly–as a cabin boy. Then Georgina abandons him at a port.
He’ll have to deal with the wrath of her five older brothers to get things straightened out.
Although Diana Gabaldon has said that Outlander is not a romance novel, it does qualify as one–if you consider it a standalone.
It has the two elements required for the genre: a central love story that ends HEA. Although the subsequent books in the series would separate the lovers through time and space, the first entry is pure romance.
Outlander–or Cross-Stitch as it’s known elsewhere–is, at its core, a historical romance that features time travel. The married-in-the-future heroine, Claire, comes off as improbably perfect (in one scene, she fights a wolf and kills it with her bare hands!).
Jamie Frasier, however, is a favorite hero of many romance readers.
Outlander has been adapted into a popular television show, introducing new fans to this already successful novel.
#13 Flowers from the Storm
Flowers from the Storm by the talented Laura Kinsale is an absolutely unusual yet stellar romance. Kinsale’s writing is superb. Romance.
A disreputable rogue of a man succumbs to a stroke.
The Earl of Jervaulx is mainly paralyzed and incapable of speech. A prim Quaker mathematician takes on the daunting task of rehabilitating him. Soon, they discover that he has a secret baby from his married mistress when the child is dropped off at his home.
How can such two disparate people be happy together?
This emotional, exquisitely written book is one of the 1990s best romance novels and deserves a look.
#14 Dreaming of You
Readers adore the hero, Derek Craven. The sexy, snaggle-toothed London rough pulled himself up by his bootstraps. He now runs a gaming hall and brothel.
Craven falls for a curious, bespectacled young woman named Sara. She turns his entire world asunder with her wondering innocence.
#15 Lord of Scoundrels
In Loretta Chase’s old-school Regency-era romance, Lord of Scoundrels, The Marquess of Dain was abused as a child for his ugliness and grew up thinking himself worthless. So he now engages in a life of debauched chaos.
Dain meets his match in Jessica Trent, who initially seeks vengeance against him. She then changes course to find love with him.
However, after he dishonors her, Jessica shoots Dain. This makes Loretta Chase’s Lord of Scoundrels a controversial romance in some eyes and a must-read in others.
While the rippers of the 1970s were now a remnant of the past, the power dynamics between males and females remained paramount in the genre.
Again, this is not a complete syllabus of the best historical books in romance. We could have made this list much longer, but we settled on only 15 books. Now we want to hear from you.
What old-school historical romance do you think we left off this list? Do you agree or disagree with our choices? Do you think any of these books rank as the best in romance?
How do you feel about bodice ripper romances? If you were creating a list of best contemporary romances, which books would you choose?
As always, please drop a comment, and let’s talk romance!