Category Archives: Tom Hall


21 Old-School Cover Artists All Romance Readers Should Know


21 of the Best Historical Romance Cover Illustrators

I adore romances from the 1970s, 1980s, and 1990s, partly due to the beautiful cover art. Over the years, I’ve amassed thousands of dazzling images. It’s a fun hobby trying to discover the artists who created them.

This compilation began as an attempt to list the ten artists every lover of old-school romances and clinch covers should know. Ten became fifteen, then twenty. Finally, I settled on 21 illustrators to identify.

This catalog of names consists of some of the best romance cover artists of all time.

That doesn’t mean these are the only artists to know, as this list is limited to historical romances written in the last third of the 20th century.

These 21 entries provide a starting point for the novice learner.

1. Robert McGinnis

Robert McGinnis illustrated Gothic books before he turned to mainstream romance.

His first bodice ripper was Avon‘s reissue of Kathleen E. WoodiwissThe Flame and the Flower. McGinnis then designed the cover for her sophomore outing, The Wolf and the Dove. His suggestive clinches for Johanna Lindsey, Patricia Hagan, and Laura Parker gained him acclaim and notoriety.

McGinnis worked almost exclusively in tempera paints.

His mature, angular style was an instant draw for romance. McGinnis created the first naked man covers, which delighted genre fans.

But it was the McGinnis woman who was a being of legend. McGinnis depicted the feminine form in a most alluring fashion.

“The McGinnis Woman possesses a whirling narrative force all her own, a perfumed cyclone of sexuality, savvy, mystery, and danger. She also sells books—lots and lots of books.”

(Source: Vanity Fair)

2. H. Tom Hall

H. Tom Hall’s artwork for romance book covers is legendary. His technique is instantly recognizable: refined and sensual.

The strokes are broad yet precise. Hall’s scenes contain a dark, smoky essence. The heroines’ long locks flow wildly, while the heroes’ faces are shadowed and inscrutable.

Hall had a sensitive, respectful touch when portraying people of different races and ethnicities. Thus his illustrations were prominent on paperbacks set all over the world.

3. Harry Bennett

Harry Bennett‘s dazzling style of swirls and whorls of flowing hair may be especially familiar to fans of Pocket Books‘ early historical romances. He created memorable covers for Victoria Holt, Phyllis Whitney, and Jude Deveraux.

While his work inspired many other artists, Harry Bennetts covers have been confused with those of H. Tom Hall. While their depictions might appear similar, a keen eye needs only to look at the faces of the male models to spot the difference.

Of his artwork, Bennett’s son Tom, also a painter, said:

“My father had a great facility with mediums, and he experimented and adapted to new trends with different techniques. His favorite medium above all, in both his painting and illustration, was oil.

He also worked extensively in egg tempera, inks, and various combinations of tempera and oil. In the 1950s and early ’60s he worked a great deal in water-based media like gouache.

Later, he would occasionally work in acrylic. But late in his career, it was almost exclusively oil with a black oil medium.”


4. Elaine Duillo

Elaine Duillo was the undisputed “Queen of Romance Covers.” She started in pulp fiction before moving on to Gothics and romance.

Duillo was not ashamed to be sexy and outrageous with her art. She embraced camp to the hilt. Her reverence for beauty and perfection made her creative style a wonder to behold.

Duillo’s technique was marked by hyper-realism, unparalleled attention to detail, and a vast palette of colors.

Elaine would paint light hues onto a black canvas. This achieved stunning results for elements such as platinum-blonde or red-gold flowing waves of hair or sumptuous, satin gowns that looked like one could touch them.

Duillo worked in acrylics and oils. She placed her signature, “Elaine,” as close to the bodies as possible.

Her daughter Melissa Duillo-Gallo also produced romance covers, in a manner similar to Elaine’s.

5. Pino Daeni

Pino Daeni’s brushstrokes, the curves of his feminine subjects, and their facial expressions make his covers uniquely recognizable.

Daeni was always willing to experiment with different methods and poses. He was one of the early artists to employ the wraparound cover design and the pose and clinch style.

Pino worked in oils and preferred to stand while painting.

Pino’s innovative technique precedes him. He mixed impressionism and realism to create his own intoxicating style.

“I used to paint in the academic way. Then I changed. I could no longer stay with just one school. Everything was interesting to me. I was curious about various schools of thought.”

Pino, (2006)

6. Elaine Gignilliat

Elaine Gignilliat designed covers for hundreds of romances. Her artwork demonstrated exquisite attention to detail, especially with the textures of fabrics and hair. Her use of bright colors against dark backdrops made for remarkable images.

Like most other cover artists of her day, Gignilliat worked in oils.

Also, like many other of her contemporaries, Gignilliat designed covers for epic historical blockbusters and shorter category romances.

After making the initial sketches for a cover, she would start her paintings by drawing everything in oil with a small brush.

Next, she established the color values, where the darkest, middle tones, and lightest areas would be. Then she would add the general colors in a light oil wash.

Afterward, the real painting began as Gignilliat developed the faces and hands, giving them more color and form. This eventually resulted in a beautiful picture which was then made into a book cover.

7. Max Ginsburg

Max Ginsburg‘s fine art is considered to be contemporary realism. He excels at depicting emotional scenes,

Ginsburg’s book covers are more romantic than sensual. The edges of his subjects blur into the background,

While Ginsburg could display the human body in an alluring way, his covers were rarely gratuitous.

He has a compassionate eye that highlights the humanity of his subjects. Like H. Tom Hall, Ginsburg has a talent for empathetically painting people of diverse heritages.

Ginsburg’s style influenced many artists of Avon covers in the late 1990s and early 2000s.

8. Morgan Kane

No one could capture the ornate, intricate patterns of fabrics as Morgan Kane could.

Whether presenting a lacy gown, a multi-textured cape, or a mosaic of hues on a blanket, Kane can make one can feel the material just as well as one sees it.

In contrast, he depicted human forms in a much softer manner. The difference between the grounded beauty of his subjects against ornate backgrounds, textiles, or flowers makes for a visual treat.

9. Robert A. Maguire

Robert A. Maguire was another of the many illustrators who created lurid pulp covers. While his pulp art was highly sexualized, his romance covers are more sedate.

An emotional connection is the focus, not sex. The faces of Maguire’s females are delicate, with thickly-lashed eyes and rosebud lips.

Maguire played light and dark tones against each other in an enchanting manner. His method is not surreal nor hyperreal. Instead, it is idealized unrealism, approaching the imagined perfection of a cartoon.

Like Elaine Duillo, Maguire often placed his signature–“R. A. Maguire”–as close to the bodies as possible, in the shade lighter than the background.

10. Roger Kastel

Famous for his movie posters, Roger Kastel‘s romance style shares similarities with that of Maguire & most significantly, Max Ginsburg.

Kastel favored a romantic, blurred technique instead of a precise, angular reality.

Kastel’s brushstrokes fused colors together, creating a hazy aura around the couples.

11. Walter & Marie Popp

Walter and Marie Popp designed Regency, Gothic, and bodice ripper covers. Each genre had its own method to it.

The Gothics were shrouded in darkness and mist.

Regencies were marked with a sweet, crisp quality.

For the historical romance covers, the Popps embraced sexy with their curvaceous heroines and muscular heroes.

The female faces look similar, as Walter often used his wife Marie, a model, as his muse. Their expressions are a variation of hers, from their full lips to their round eyes.

12. Victor Gadino

The great Victor Gadino‘s technique is masterful. His attention to fine detail is exquisite.

Note the musculature of the hero’s abdominal and pectorals, the lace on the hem of the heroine’s skirts, the silk pattern of pillows, and the heavy-lidded eyes in the hero’s lusty expression.

His use of jewel-tone colors results in covers that sparkle like precious gems.

More than any other artist since Elaine Duillo, Gadino’s art is typified by a carnal sensuality. His approach is hyperrealistic, with figures as close to perfection as the human eye can conceive.

13. Sharon Spiak

Sharon Spiak’s mentor, the Italian master artist, Pino Daeni, was a massive inspiration to her when she was his apprentice.

She painted in oils, creating an atmosphere of enchantment always backed by passion. Spiak’s paintings for romance novels capture sensuality, beauty, and fantasy by captivating the viewer in the intimacy of the moment.

Her approach differs from cover to cover. There is always a delicacy to the females’ features and a lovely interplay of pastels against darker tones.

14. John Ennis

John Ennis utilizes a “Disney Princess” method of painting, as his human images are beautiful but unrealistic. His covers have a fanciful, almost cartoon-like, fairy-tale quality. His work is based more on fantasy than romanticism.

Ennis played around with shades of light and contrasting hues, resulting in striking covers that made him a natural fit for Zebra.

If one notes the texture of the heroines’ hair, one can see individual strands and curls against blocks of solid color.

Like Franco Accornero, John Ennis was an early innovator of digital artwork.

15. Franco Accornero

Franco Accornero, also known as “Franco,” pioneered computerized art design. Due to his fascination with the capabilities of technology, Franco always pushed boundaries.

Before he transitioned to digital artwork in the 1990s, Franco worked primarily in oils.

As an independent freelance artist, he was responsible for all cover design elements, from setting up the scene to models, costumes, and props. He arranged various poses with different lighting arrangements.

His fine director’s eye created a dramatic and flattering balance of light and shadow.

Franco would use a wind machine in the photo sessions to get that flowing hair look.

16. Renato Aime

Renato Aime worked primarily in oils in addition to other mediums. He frequently designed covers for Dorchester and Kensington, two publishing houses that hired artists with an eye for the outlandish.

Aime captured the curvaceous female forms in contrast against the more rigid muscles of the males in a most pleasing way.

While Aime’s technique is recognizable as his own, it does bear some resemblance to his fellow Italian illustrators. One can see similarities to the covers of Pino Daeni and Franceso Accornero. Note the blending of colors and the identifiable strokes.

17. Melissa Duillo-Gallo

Melissa Duillo-Gallo, daughter of artists John and Elaine Duillo, was influenced by both her parents, her mother’s romance covers in particular.

Elaine’s work is titillating and highly elaborate. Melissa’s art tends to the sweeter side with more playful emotions. Duillo-Gallo applied flamboyantly bright colors, exemplifying the feel of the 1980s and 1980s.

After she married, Melissa signed her covers as Gallo, not Duillo. Unlike her mother, she usually placed her signature away from the bodies.

Melissa also used less eyeshadow than her mother did, which is saying something!

18. Gregg Gulbronson

Gregg Gulbronson utilized a distinctive approach, making his covers both breathtaking and easy to recognize. Romance, sexuality, fantasy, and reality all meld together in Gulbronson’s art.

Gulbronson used spraying/airbrushing techniques, which made for a striking and individualized look.

Enveloped in a romantic haze, the couples in clinches are surrounded by a dreamy ambiance. The figures seem to glow as the light plays against their hair, skin, and clothes.

19. Ray Kursar

Ray Kursar was yet another artist with a noticeable style. His paintings look more like drawings. Kursar worked with multiple mediums to create his illustrations, such as pastels and watercolors.

He employed various elements to make his covers stand out: emphasis on bright colors, flowers, animals, and fabrics.

Hair is constantly flowing in the wind, while the locks of waves and curls are well-defined.

20. James Griffin

James Griffin‘s covers from the 1980s and 1990s are quite distinct from his 21st-century ones, even though both periods are stunning.

The late-era clinches are made digitally and approach hyperrealism.

Griffin’s illustrations of the “classic” era are more dramatic, with windswept hair and passionate embraces. The couples are shown leaning back or lying down, rarely standing straight up.

His graceful aesthetic resulted in book covers that emotionally resonated with the romance reader.

21. Charles Geer

Charles Geer might be known to readers of children’s books published from the 1960s to the 1980s–two of which he wrote himself.

Geer’s style is so distinct. There is much going on in his images, whether sketches or paintings.

His attention to the tiniest of subjects amazes the eye. He used uniform brush strokes to create spectacular backgrounds, intricate curls in the hair, or elaborate textures in clothing. The bright pigments twinkle like stars against their darker settings.

Geer’s scenes appear dream-like but are far more memorable.

Final Thoughts on Cover Artists

Sweet Savage Flame believes it’s essential to keep the memory of these skilled cover illustrators and their works alive.

Hopefully, by familiarizing yourself with these artists’ techniques, you’ll quickly identify their covers on sight. No more having to confirm with a signature!

Your Opinion

Do you think this a fair compilation of some best romance cover artists? Who are your favorite old-school illustrators?

Is there an artist you think we should have placed on this list but missing? What are your thoughts on painted versus digital cover art?

Please drop us a comment, and let’s talk romance!


Historical Romance Review: Shanna by Kathleen E. Woodiwiss

historical romance review
Shanna by Kathleen E. Woodiwiss
Rating: three-half-stars
Published: 1977
Illustrator: H. Tom Hall
Published by: Avon
Genres: Historical Romance, Bodice Ripper, Colonial Era Romance, Georgian Era Romance
Pages: 666
Format: Audiobook, eBook, Paperback
Buy on: AmazonAbeBooksOpen Library (BORROW FOR FREE)
Reviewed by: Introvert Reader

Historical Romance Review: Shanna by Kathleen E. Woodiwiss


The Book

I’ve long had a tenuous relationship with Kathleen E. Woodiwiss’ romances. Shanna is the fourth of her books I’ve attempted to read, but it’s the only one I’ve completed. That’s a net positive in this bodice-ripper-lite‘s column.

Now, did I love it? Love is a strong word. I’d say, overall, it was enjoyable, if a bit long.

The Characters and Setup

Shanna Trahern is the spoiled only child of a wealthy Caribbean planter and widower, “Squire” Orlan Trahern. He’s part of the upstart merchant class and tres riche.

Fortune hunters and noblemen fallen upon hard times seek her hand, but Shanna will have none of them! Why can’t a man love her for who she is, dammit: a haughty, ill-tempered, busty, aqua-eyed blonde with a flawless complexion?

Her doting father has given his beautiful and independent daughter one year in England to choose an appropriate man to marry. Otherwise, he will arrange a marriage for her. Squire Trahern wants grandbabies, dammit! Besides, his daughter could use a husband to tame her wild ways.

Determined to be ruled by no man, Shanna colludes with her servant Pitney to arrange a quickie marriage to some black-sheep gentleman doomed to the hangman’s noose. That way, she’ll have official records she was legally wed. Then she’d return home, a widow in mourning, determined never to remarry.

The man she “chooses” is a bearded wretch convicted of killing a barmaid. Despite his thin, unkempt appearance, the hero has a charm in his hazel-gold eyes.

He’s our hero Ruark Beauchamp. Ruark gave me total Hugh Jackman vibes for some reason, so I was on board.


The Plot

Part One

Shanna promises to make the man’s last days pleasant by moving him to nicer quarters and keeping his belly fed. Instead, the prisoner arrogantly demands the consummation of his marital rights because Shanna is really hot.

She concedes to this, but any dingbat with two brain cells should know she’s full of it. But alas, our hero is besotted from the get-go over Shanna. His brains are in his balls. Ruark’s sole aim in this book is either getting into Shanna’s bed or obtaining vengeance in the form of getting Shanna into his bed!

Ruark is cleaned up, and wouldn’t ya know it? With some food in his stomach, a haircut, a shave, and a wash, Ruark is really hot.

Shanna’s southern girly parts tingle. Ruark eyes Shanna’s northern girly parts making promises of a pleasurable time to come.

The ceremony is performed. Into the carriage and on their way are the newlyweds. But Ruark can’t take it anymore, his lust for her bust overwhelms him, and he takes her. For a couple of humps, he is allowed to experience paradise. Shanna is confused by the fluttering sensations she’s experiencing.

Then the coach stops, and Ruark realizes Shanna had no intention of upholding her side of the bargain. He is taken away, but not without a bitter fight, before presumably being executed.

Shanna spares Ruark not another thought (okay, maybe one or two) and returns home to her father’s island of Los Camellos.

Shanna, Re-issue

Part Two


Shanna’s other servant involved in her scheme decides to line his pockets in an even schemier scheme. He substitutes a dead man’s body for Ruark’s and takes him as a slave for Shanna’s father, of course. And wouldn’t ya know it? As Shanna sails home, Ruark is on that same ship.

Soon, to her great dismay, Shanna becomes aware of the new servant’s presence, and so does her father. Ruark never reveals he is Shanna’s legitimate husband (which would have made more sense since Ruark was so eager to get under Shanna’s petticoats).

As the new slave on the job, Ruark impresses the bossman with his engineering skills and–ahem–masterful knowledge of plantations. (It turns out Ruark’s family are wealthy colonial planters related to English nobility. What the hell was Ruark thinking, not contacting them or telling his father-in-law who he was?)

Trahern is so impressed that he gives Ruark special duties with special benefits. The day comes when the slave is dining at the table with the master and his wife—the slave’s wife, that is, not the master’s.

Apparently, Ruark is deep into some heavy roleplay because this slave thing turns him on. When Shanna sees him while riding her horse, he taunts her, and she hits him with her crop.

Instead of reacting violently, as these heroes in ‘rippers would, Ruark only smiles and vows to tame her to his will…

Funny enough, Shanna is viewed as having always gotten her way and in need of the right proper taming. She is a real itchbay, never satisfied with anything.

Everything displeased her, and even the flawlessness of her own beauty, regally gowned in rich ivory satin and costly lace, did not change her mood of discontent.

Ruark cares not. Nothing matters, not freedom, not clearing his name for a crime he didn’t commit, and not returning home. He must have his Shanna!

The give-and-take, push-and-pull between Shanna and Ruark is highly exciting until it reaches its apex. Ruark finally gets his honeymoon!

read shanna for free
Map of Los Camellos

Part Three

It seems that Ruark has found his Paradise on Earth. That is until a big misunderstanding sends Shanna into a jealous rage.

Shanna demands he daddy sell Ruark off to pirates… Oh, hell, that’s where this book takes a nosedive.

Let’s just “yada, yada, yada” this okay?

  • Yada… Nasty stinky pirates…
  • Yada… Ruark reveals the truth about his identity, and the true identity of other people comes to light.
  • Yada… And an evil villain named Gaylord gets his in the end.

Shanna realizes she loves Ruark and promises to stop being such a Seaward.

Shanna gives birth to twins, and her papa is happy as can be.

“In your madness you said you loved me,” she murmured shyly.

His humor fled, and the smile left her lips as she continued, “You said it before, too. When the storm struck, I asked you to love me, and you said you did.” Her voice was the barest of whispers.

Ruark’s gaze turned away from her, and he rubbed the bandage on his leg before he spoke. “Strange that madness should speak the truth, but truth it is.”

My Opinion

The Writing

Woodiwiss and many romance writers of her age (ex. Jennifer Wilde, Rebecca Brandewyne, and Bertrice Small) wrote as if they got paid by the word, like their pulp predecessors.

If Shanna had ended at the 450-page mark–or 325 pages a la Johanna Lindsey–it would have been glorious, a book I’d track down every edition of. I could have easily overlooked the flaws in favor of the positive aspects.

But it keeps going and going—so many fillers. I read a thousand romances from age 12 to 15 of all lengths and could zip through a 1,000-page book per week. Today at 44, I do not have that patience. I have ADHD. I’ve said this before in a review of another book: “The paragraphs are too damn long!”

I’m no enemy of adverbs and adjectives. The world would be a dark place without modifiers. It’s that Woodiwiss didn’t believe in using one or two or three when ten or twelve would suit her better! There are innumerable adverbs, adjectives, adverbs, and dependent clauses.

Let us not forget the effusive purple prose, the poem at the beginning, and the seriousness with which she takes herself. It appeared that Woodiwiss employed every grammatical trick at her disposal.

read shanna for free
Shanna, Re-issue

The Characters


Shanna is your typical beautiful, cossetted, foot-stamping, won’t-listen-to-reason heroine with eyes that flash in anger, the kind that was so prevalent in old-school romances. Usually, I can’t stand this type because she’s written as “too stupid to live” (which is insulting to women who lived and endured hard times in the past).

I shouldn’t have liked Shanna, the character. For some reason, I did. She was caustic, yet she had a will. She contrived, and she plotted. Shanna tried to control her destiny instead of letting others do it for her.

Author Laura Kinsale wrote in her essay “The Androgynous Reader” about Shanna:

“[A] sillier and more wrongheaded heroine than Shanna would be difficult to imagine… Feminists need not tremble for the reader–she does not identify with, admire, or internalize the characteristics of either a stupidly submissive or an irksomely independent heroine. The reader thinks about what she would have done in the heroine’s place.”

LAURA KINSALE, “The Androgynous Reader” from Dangerous Men and Adventurous Women, edited by Jayne Ann Krentz

Shanna would qualify as the irksomely independent type. I typically don’t enjoy them, but when contrasting Shanna’s attitude with Ruark’s easy-going nature, it made for a sizzling combination.

So, apologies to Kinsale, but this reader did “identify with, admire, or internalize” some of Shanna’s characteristics. I’m an outlier, as ever.


Ruark was an enigma. He was charming, handsome, and kind. Ruark was a dreamy hero, but I couldn’t grasp why he was so obsessed with Shanna. He should have been more concerned about his own hide.

First, he’s on death row, about to hang for a murder he did not commit. Then he’s sent overseas in chains to be a plantation slave.

Does he dream about getting free and plotting revenge against those who wronged him? Not really. From the moment he sees her in prison, his primary focus is having Shanna and putting his pee-pee into her wee-wee.

read shanna for free
Shanna, Re-issue

The Cover and More

In 1977 Kathleen E. Woodiwiss’ long-awaited third novel made romance history when Avon released Shanna in trade paperback edition. It had a full-stretch green cover, illustrated by H. Tom Hall and designed by Barbara Bertoli. This was one of the first true American clinches. The entire exterior was painted, displaying the couple locked passionately together in a state of undress.

Playboy Press’ This Ravaged Heart by Barabara Riefe also came out in 1977 with a full-page color clinch. But Betty Maxey’s artwork doesn’t compare to Hall’s fabulous cover. Plus, Shanna had a map insert that you could unfold.

Avon heavily promoted this book, running commercial ads on daytime television and in national women’s magazines. It paid off. Shanna sold 3 million copies and was on the NY Times bestseller list for a year.

Shanna was optioned for a film, but negotiations fell through when Woodiwiss couldn’t agree with the producers on the vision. The romance genre might be different if this mild bodice ripper had been brought to the big screen in the 1970s or early 1980s!

Final Analysis of Shanna

I once referred to Shanna as the same book as Catherine Creel’s 1991 Zebra Heartfire romance Passion’s Chains. Creel certainly ripped off Woodiwiss as the main thrusts of the books are almost identical: secret marriage where the husband is a slave on the wife’s island plantation. The two novels deviate midway and then culminate in about the same place.

To be frank, I preferred Passion’s Chains more than I did Shanna, even though I enjoyed both. Perhaps the word count might have something to do with it. Passion’s Chains was 480 pages in a standard-size font. Shanna had teeny-tiny type-face on 666 super-thin pages.

Plotting and pacing matter. There was too much exposition and unnecessary antics in Shanna. In addition, I didn’t OMG love it enough at the beginning to forgive any sins that cropped up in the end, as I would in a fantastic epic book like Stormfire.

Ruark was the book’s high point, a charming, good-natured hero determined to have his woman. However, I did not understand his obsession with Shanna when he should have focused more on clearing his name. Shanna’s a spoiled, petulant brat, although, as I said, I didn’t mind that. I find mean, unlikeable heroines are more palatable than the shy, milk-and-water types or boring blank slates.

Was this a stellar old-school romance I’ll long to re-read? No, although maybe a passage or two might stay with me. However, I am glad I read Shanna. I can finally say I completed a Kathleen E. Woodiwiss romance and liked it!

Now on to The Flame and the Flower!

Rating Report Card
Fun Factor
Overall: 3.8


A woman with surging desires of the spirit, the flesh, and the heart…

The only child of an 18th century sugar baron, lovely Shanna Trahern is given a year to find a suitable husband in London or to be married off to a dull planter. Instead, she contrives to marry Ruark Beauchamp, condemned to die for the supposed murder of a barmaid.

Certain her concocted story of a romantic elopement and marriage, followed by Ruark’s accidental death, will satisfy her father, Shanna embarks for home — the lush, intrigue-filled Carribean island of Los Camellos. But unknown to Shanna, her husband has escaped the gallows and under another name is among the bondsmen purchased by her father’s agent. Once home, Shanna is tormented by Ruark’s playful taunts — and his threat to collect “The night of love” she had promised him in prison. But when she is carried off by pirates; Ruark risks his life to save her. Now Shanna must deal with the searing passion the proud, virile Ruark has aroused…


A man burning to possess her in vengeance and in ecstasy…


A romance of passion beyond wildest dreams!




silver angel johanna lindsey books

Covers of the Week #40

Theme: Desert and Harem Covers

This week’s theme takes us to the Middle East for showing off some glorious harem and desert romance covers.

There’s something alluring about the African Sahara and Arabian deserts. They hold the allure of mystery and romance. The endless miles of sand, the ever-shifting dunes. A sheik takes a beautiful heroine captive and takes her to an oasis.

Whether it be a fantasy of being swept away by the leader of a caravan tribe or taken into a sheik’s private harem of one, passionate clinch covers exist for them all.

For the week of Monday, January 10, 2022, to Sunday, January 16, 2022, our latest Covers of the Week highlights the covers of four desert and harem romances set in the Middle East.

Middle Eastern Covers (from Left to Right, Top to Bottom):

Desert Heat, Evelyn Rogers, Zebra, 1993, Robert Sabin cover art;
Harem, Diane Carey, Signet, 1986, Pino cover art;
Silver Angel, Johanna Lindsey, Avon, 1988, Elaine Duillo cover art;
Casablanca Intrigue, Clarissa Ross, Warner, 1979, H. Tom Hall cover art

the silver devil teresa denys

Historical Romance Review: The Silver Devil by Teresa Denys

historical romance review
The Silver Devil by Teresa Denys
Rating: four-half-stars
Published: 1978
Illustrator: H. Tom Hall
Published by: Ballantine
Genres: Historical Romance, Bodice Ripper, Renaissance Era Romance
Pages: 380
Format: Paperback
Buy on: AmazonThriftBooksOpen Library (BORROW FOR FREE)
Reviewed by: Introvert Reader

Historical Romance Review: The Silver Devil by Teresa Denys


The Book

I’ve put off posting an analysis of Teresa Denys‘ first book, The Silver Devil, for a long time because I didn’t quite know how to critique it. If you’re a hard-core lover of old-school romance or bodice rippers, you might be familiar with this legendary novel.

A Legendary Romance

Teresa Denys was a magnificent author whose writing pulled the reader in from the first word and never lets go. Sadly, she died young in the mid-1980s’ after only publishing two books. The Silver Devil was followed by The Flesh and the Devil. Both are superlative works of fiction.

The Silver Devil is out-of-print, a hard paperback to find. And if you do, it will cost you quite a penny! On e-bay, the only one I currently see available costs $159. That’s relatively cheap compared to the other listings that are upwards of a thousand dollars.

I purchased my edition eleven years ago for $12. At the time, I thought that was too much!

There’s a good reason this book is highly prized.

The Silver Devil captivated me with its stunning characterization and intense, passionate tone. The enclosed world of 380 pages (my Futura Publications Ltd/Troubador version) made me truly believe that in the imaginary Dukedom of Cabria, there lived a proud Duke so handsome and omnipotent that with a snap of his fingers, he was swiftly provided with whatever he desired.

Including one lovely peasant girl named Felicia.

the silver devil
The Silver Devil, Troubador Books, UK edition

The Set-Up

“He sat on his horse unmoving, a somber black figure in startling contrast to the vivid colors about him, the sun dazzling on his white gold hair… There was no laughter in his face, and his eyes were not searching the housefronts for diversion–instead, he was staring intently straight up at my window.”


It is a hot summer in the year 1604 in Fidena, a fictional town in the fictional province of Cabria, set just north of Naples. Felicia Guardi is the sister of an innkeeper who’s just gotten married. Her sister-in-law, Celia, is a greedy and harsh taskmistress. Felicia’s half-brother, Antonio, is not much better, as he bears no love for the girl with whom he only shares a mother.

For Felicia was not the child of their mother’s husband. Her actual father spent one brief night at the inn, sharing a fleeting moment of passion with her mamma.

Adding to the gothic allure of this novel is the narration. The story is told from Felicia’s first-person perspective, appropriate for such a macabre tale of lust and love. She describes the overwhelming heat and decay of Fidena during a hot summer when the plague that runs through town.

Like a princess out of a fairy tale, Felicia is forced to slave away her days until a handsome prince falls in love with her and takes her to his castle home.

The Villainous Hero: The Silver Devil

One day Felicia stands by the window and is seen by Duke Domenico, a white-blond-haired, black-eyed sensualist of a tyrant. His desire for her is powerful and instantaneous. The Duke demands to have her, and with a snap of his fingers, she is made his.

Felicia does not want to go willingly. Yet what is she, an illegitimate peasant, to do? In vain, she resists. Felicia’s brother and sister-in-law drug her to surrender to the devil’s demands.

Although Felicia is attracted to this magnetic demi-god, she displays a strong will, refusing his seduction despite how futile.

Domenico treats her as a jealously-guarded treasure. Felicia’s innate strength demands no less than a queen’s respect.

The Story

Domenico’s ardor for Felicia becomes a raging obsession. He is monstrous in his possessiveness. In one unforgettable scene, Felicia smiles at a handsome youth. Enraged, Domenico has the boy brutally tortured to death.

As they travel through the hot, dusty lands, a retinue of servants and sycophants escort Domenico and Felicia. Former mistresses accompany Domenico, vying fruitlessly for his attention. He humiliates them callously when they seek his favor.

The Silver Devil was written in 1978 and, for its time, took a daring risk with the lead male character. The hero is/was bisexual. Domenico had a past affair with Pierro, a childhood friend who now is one of his courtiers. He only has disdain for Pierro, who pathetically apes Domenico’s looks and style.

Once Domenico’s affection dies out, only contempt remains. Domenico’s eyes and heart belong to his beloved Felicia alone.

I won’t spoil what evil deeds he has in store for his hangers-on. Suffice it enough to say he does his admirers wrong. He is ruthless in his brutality.

A Difficult to Believe HEA

As a result, it’s no surprise when the people turn against Domenico.

The beautiful Prince falls from grace. Felicia alone stands by his side, aiding him in his quest to regain power. Domenico is humbled several times over while Felicia remains at his side. Felicia proves she is more than an object of desire. She has grit and fortitude where others fail. With her by his side, Domenica will rise to power once more.

The novel culminates with Domenico declaring his love in a surprisingly vulnerable demonstration of emotion.

“I knew that love would not turn the silver devil into an angel. He would remain what he was–subtle yet childish, unfeeling yet passionate, lost irretrievably to everything but his own desire. But he loved me–and I loved him, now and forever.


My Opinion

The writing in The Silver Devil is gripping. However, it’s not a sweet tale that leaves a pleasant taste in my mouth.

Reading this like a simple love story doesn’t work. It’s too dark, too gothic, and too gruesome for me to call it one.

It is a fascinating character study of an unhinged, narcissistic megalomaniac and his female object of jealous obsession.

I cannot give this book five stars because it fails on one singular level. The Silver Devil is fabulous historical fiction. It’s a monumental piece of psychological analysis. But is it a romance? Only if I engage in a suspension of all disbelief.

Final Analysis of The Silver Devil


Although Domenico is the absolute ruler of a wealthy Duchy, he is not a typical “Alpha male.” Alphas are devoted to their mates, but they are also leaders who command respect. Domenico struggles spectacularly at this. His Dukedom is overtaken, and he must maneuver his way back into power. This is done not by coalescing allies who will eagerly follow his lead. He must attain this through deception, posing as a lowly peasant.

He is feared by others but not loved. Contrary to Machiavelli’s perspective, fear alone is not enough to keep Domenico secure.

In the last pages of The Silver Devil, Felicia gives birth to a son, the heir to Cabria. The novel concludes on a gloriously positive note.

Even so, I had doubts about the happy finale. Domenico is a mad despot. I could see the inhabitants of Cabria taking him out, Mussolini-style. Lord knows what would happen to Felicia and their son! My imagination goes wild, and it’s never a good end.

For that, it’s best to close the book and leave this story in its final moment of ultimate bliss.

Rating Report Card
Fun Factor
Overall: 4.8

Post Script: Read The Silver Devil For Free Online

I don’t usually post links for free books on the internet unless it’s to borrow from Open Library. However, the author has been deceased for more than thirty years, with no heirs. In light of that, I have linked to several sources where you can read the free PDF or internet version of The Silver Devil at no cost.


He was cold. He was cruel. A ruthless sensualist riding headlong to hell. He was the Silver Devil – Domenico, Duke of Cabria.

Felicia was the illegitimate sister of a tavern-keeper. She felt nothing but terror when they told her that she had been chosen as the Duke’s next mistress, and when they took her, decked in silks and jewels to the Silver Devil’s bed…

Dark Before the Rising Sun

Historical Romance Review: Dark Before the Rising Sun by Laurie McBain


Lady Rhea Claire Dominick, fair and flawlessly beautiful daughter of a Duke, was stolen from her father’s house — and shipped to the Colonies as a slave.

Dante Leighton, who squandered a Marquis’ inheritance in his dissolute youth, pursued his fortune at sea — and found his destiny in the amethyst eyes of a fascinating woman.

They sailed the West Indian isles, discovering fabulous riches… and the raptures of a love more precious than treasure. On a secluded shore, in an idyll apart from the world, they surrendered themselves to ecstasy. But on returning to England, their joy was beset by a tempest of scandal, spite and murderous peril — which was the end of their happiness, or the dark before the radiance of their love…. 



Great Title, Beautiful Cover, Too Bad About the Book

Dark Before the Rising Sun is the last installment in Laurie McBain‘s trilogy that began with Moonstruck Madness. This is a direct continuation of that book’s sequel, Chance the Winds of Fortune. I am breaking my rule for reviewing books that I have didn’t fully read, as I made it fairly far into this book and then skimmed to the end. Yes, it was that bad.

Perhaps I would have enjoyed this book more if it had been combined with the first book, and halved by length.

The Plot

As I said in my review of Chance the Winds of Fortune, the second and third books combine for over 1000 pages. In the previous installment, the pride and joy of the Dominic family, the eldest daughter Rhea Claire was kidnapped. Events led her to be an unwilling passenger on a ship sailing the Caribbean, captained by Dante Leighton, former English Marquis turned pirate. Rhea charmed the pants off of the ship’s men, metaphorically speaking for the crew, but literally speaking of Captain Dante. Rhea and Dante found treasure and true love.

Now the pair have returned to England so Dante can regain his title as the Marquis of Jacobi, and his beloved, Rhea Claire, daughter of Moonstruck Madness‘ Sabrina and Lucien, can let her parents know she’s alive and well.

After reading the soporific precursor to this book, I found myself looking at another 500 pages to complete their stupid, boring love story. Why? I don’t know. What was the point? Rhea’s dad doesn’t like Dominic. Society still looks down at Dante. Rhea and Dominic are united in their love for one another as they head to Dante’s estate of Merdraco to re-establish his place as the rightful Marquis. There’s a nasty villain who wants to destroy Dante.

There’s Rhea acting cute as always: “Let’s meet my great family and they’ll help get your titles and estates restored now that you’re not a pirate anymore. I love you, darling. Aren’t we so wonderfully dull?”

And Dante reveals his dirty little secret: “Years ago, I once saw your mother at a party when I was a young man and had a crush on her.” That’s like a .05 on a scale of 1-100 for old-school romance craziness!

Final Analysis of Dark Before the Rising Sun

I suppose to really enjoy this book, you had to love the prior novel, and I didn’t. So I was destined to hate this one.

Dark Before the Rising Sun has a largely positive consensus in reviews I’ve seen online. I guess most people who read this far into the trilogy, do genuinely love it. Not me, the eternal contrarian.

I keep these books only for the covers, but as far as re-reading them, life’s too short!

1.5 Stars

Bold Destiny

Covers of the Week #15

melissa duillo gallo

Artist: Melissa Duillo-Gallo

The Duillo family was filled with artistic talent. There was John Duillo, the great pulp cover artist. Of course, his wife Elaine was a pioneer for women in the field. She not only painted pulp covers but went on to become the “Queen of Romance Covers.” Did you know their daughter, Melissa Duillo-Gallo, was also a romance cover illustrator?

From the 1980s to the 1990s, Melissa Gallo (née Duillo), was a prolific historical romance cover artist, creating works for publishers such as Avon, Dell, Warner, Zebra, and more. While she and her mother no longer illustrate romance covers, Melissa is still creating art as a talented painter.

Melissa Gallo Paints is where you can get access to her current work. I also have a dedicated Pinterest page to her romance covers here.

For a long time, I used to get Elaine and Melissa’s artwork confused. Now I can spot the differences between mom’s and her daughter’s work. For one thing, Melissa Duillo preferred her models to wear more clothes, and also, she was more conservative with the use of eyeshadow, especially for the heroes!

Both Duillo ladies collaborated with supermodel Fabio many times.

The Covers

Here are some lovely romance covers that Melissa Duillo Gallo designed for you to enjoy. These are our Covers of the Week for Monday, July 19 to Sunday, July 25,

My Lord Monleigh

Covers of the Week #14

Theme: Highland Romance Novels

For the week starting Monday, July 12 to Sunday, July, 18, I thought some Historical Highland romance novels or Scottish-themed covers would be a bonny sight for your eyes to enjoy.

Moonstruck madness

Historical Romance Review: Moonstruck Madness by Laurie McBain

historical romance review
Moonstruck Madness by Laurie McBain
Rating: four-half-stars
Published: 1977
Illustrator: H. Tom Hall
Published by: Avon
Genres: Georgian Era Romance, Historical Romance
Format: eBook, Paperback
Buy on: AmazonAbeBooks
Reviewed by: Introvert Reader

Historical Romance Review: Moonstruck Madness by Laurie McBain


The Book

Moonstruck Madness is old school historical romance in an oh-so-perfect way. Written in 1977, Moonstruck Madness was Laurie McBain’s second and, in my opinion, best book.

The Characters

Moonstruck Madness begins as the heroine, Lady Sabrina Verrick, watches on as the Scots lose at the bloody Battle of Culloden Moor.

The eldest daughter of a deceased Scotswoman and an itinerant English Marquess, she and her family are without resources. As she’s responsible for her two younger siblings, she packs her family off to England to reside in their absent father’s run-down estate.

Her father is more interested in his young Italian bride than being responsible for his children. It’s up to Sabrina to figure out a way to support her family.

The hero is His Grace, the golden-haired Lucien Dominick, Duke of Camareigh. When we first see him, he’s challenged to a duel by a young hothead. At dawn, he makes quick work of his opponent, displaying his sword-fighting talents.

Lucien’s face bears a dashing scar from when one of his cousins had cut his face as a child.

Speaking of Lucien’s cousins, they share a strange quasi-incestuous relationship and are the obvious villains of this book. They connive to have Lucien done away with to obtain the Dukedom.

Meanwhile, Lucien’s grandmother wants to see Lucien married, and Lucien seems resigned to seeking a wife, but certainly not one for love.

Moonstruck madness
Moonstruck Madness, Laurie McBain, Avon, 1977, H. Tom Hall

The Plot

So Sabrina takes on the wild idea of becoming a highwayman. With the help of two burly locals, she takes on the name “Bonny Prince Charlie,” puts on a mask and hat, deepens her voice into husky timbre, wraps herself in a tartan, and holds up the rich nobles who travel the dark country roads in their coaches.

Lucien, after being robbed and taunted by the Bonny Prince, snares a trap to catch “him.”

I love how Sabrina and Lucien have a sword fight, Lucien gets the best of her, as he is the better swordsman. They engage in tender lovemaking; there is no force, no dominance. I’ve said before in other reviews Laurie McBain might have been old-school, but she was never a bodice-ripper author.

When it’s discovered Sabrina is pregnant, the Marquess, in a rage, whips her mercilessly, only for Lucien to put a stop to the brutality and carry her off in his arms.

That’s more or less the first one-half to two-thirds of this book.

Unfortunately, in the second half, Sabrina and Lucien are at odds for too long.

However, it does pick up and get exciting towards the end as a search for hidden treasure brings them back together.

Final Analysis of Moonstruck Madness

I adored Moonstruck Madness. the first time I read it, I was in my twenties and loved it. The second time, I was in my thirties and enjoyed it a little bit less, but still found it a thrilling read.

As I said, the end falters a bit because the two stubborn hotheads are at odds for too long. nevertheless, this story was an entertaining, swashbuckling romance.

4.5 Stars

Rating Report Card
Fun Factor
Overall: 4.7


She’s one thing by day, something else altogether by night…

After escaping the slaughter of her clan at a young age, Scottish noblewoman Sabrina Verrick provides for her siblings by living a double life, until the night she encounters the Duke, and her secret and all she holds dear is threatened…

He’s so disillusioned, he’s completely vulnerable…

With his inheritance at stake, Lucien, Duke of Camareigh, sets a trap for the Scottish beauty with the piercing violet eyes, never imagining what will happen when the trap is sprung…

As their lives become irreversibly entangled, Lucien and Sabrina become each other’s biggest threat, as well as their only salvation… 

Moonstruck Madness by Laurie McBain

A Closer Look at Cover Artist: H. Tom Hall

tom hall book covers
H. Tom Hall

H. Tom Hall, An Artist Who Inspired

H. Tom Hall’s artwork on romance book covers is legendary. His style is instantly recognizable, refined, yet sensual.

Hall was born in 1932 and grew up in Prospect Park, Pennsylvania. He studied at the Tyler School of Fine Art and received his BFA from Philadelphia College of Art.

While in the U.S. Army, Hall wrote and illustrated a children’s book published by Knopf.

His Non-Romance Covers

After illustrating children’s books and magazines for many years Hall moved on to illustrate book covers. His sweeping style was a natural fit for historical and romantic epics.

the kingdom tom hall
The Kingdom, L.W. Henderson, Avon, 1974

His work has graced some of the biggest bestsellers of all time, like Anne Rice’s 1976 Interview with a Vampire.

interview hall
Interview With the Vampire, Anne Rice, Ballantine, 1976

He also created covers for some Colleen McCullough works, including The First Man in Rome and The Thorn Birds.

A Romance Cover Innovator

His big blast in the romance industry came in 1977 illustrated Kathleen E. Woodiwiss’s blockbuster bodice ripper, Shanna. This portrayed one of the first full cover embraces for a romance. The book sold millions of copies, and the passionate clinch cover was a huge part of the novel’s allure.

shanna tom hall
Shanna, Kathleen E. Woodiwiss, Avon, 1977, Tom Hall cover art

A Tom Hall cover was a symbol of elite status as he only worked with the top publishing houses. No Tom Hall would be gracing a schlocky Zebra, Pinnacle, or Playboy Press.

He worked for the big names: Avon, Warner Books, Ballantine, Bantam, Fawcett (after they’d been bought out by CBS Publications & Ballantine), or Reader’s Digest.

From Love’s Ashes, Frances Patton Statham, Fawcett Crest, 1984

Among the top-tier authors that he produced covers for were Laurie McBain, Kathleen E. Woodiwiss, Rosemary Rogers, Jennifer Wilde, and Shirlee Busbee.


Hall was among the most innovative cover artists of the 1970s. He was called the “leading paperback artist in the country” and “a giant in the industry” by New York art directors.

It was surprising to me that there was no Wikipedia page dedicated to this particular artist. Hopefully, some Wiki editor will remedy that soon.

Hall passed away in 2010. He left behind a wife of over 50 years, a loving family, and a legion of paperback book fans who loved his artwork.

More Tom Hall

To read more about H. Tom Hall and his artwork you can access this page:

Tom Hall Page

Your Opinion

Are you a fan of H. Tom Hall’s work? If so, what are your favorite covers or pieces of art painted by him?

Please drop a comment, and let’s talk romance.

H. Tom Hall Covers


Historical Romance Review: Devil’s Desire by Laurie McBain

historical romance review

Devil's Desire by Laurie McBain
Rating: two-half-stars
Published: 1975
Illustrator: H. Tom Hall
Published by: Avon
Genres: Historical Romance, Regency Era Romance
Pages: 428
Format: eBook, Paperback
Buy on: AmazonAbeBooks
Reviewed by: Introvert Reader

Historical Romance Review: Devil’s Desire by Laurie McBain


The Book

For me, Devil’s Desire was an ok Regency romance written by Laurie McBain. It’s alright, but nothing special. From the writing, you can tell it’s a “first book.”

The back blurb claims Devil’s Desire “Plumbs the depths of raw human emotion — lust, jealousy, and hate…

How I wish.

evil's desire hall back cover
Devil’s Desire, Back Cover
(I prefer the back illustration to the front)

The Plot

The bland heroine Elysia, is fleeing from bland, evil enemies. Lots of clichés abound, including:

  • The rakish hero, Lord Alex Trevegne (who’s really not that much of a rake)
  • An evil ex-mistress
  • A Cinderella heroine, Lady Elysia Demarice, with emerald-green eyes and red-gold hair, who’s the most beautiful lady in all of England, and pure as the driven snow. (Clichés in a review are appropriate for a book riddled with them!)
  • The heroine’s evil, greedy relatives

Lady Elysia has escaped from the clutches of said greedy relatives who would steal her fortune. Worse, they would marry her off to someone she wants nothing to do with.

For she is a woman of spirit and will not be controlled!

On the run, she meets the handsome Lord Trevegne, who falls in lust with her dazzling beauty. It’s the Devil and the deep blue sea for Elysia.

Marriage to Lord Trevigne would offer protection, but it will come at a price for Elysia’s independence.

“I would not regret putting a hole in your arrogant chest, only it would be deflected when it hit that piece of rock you call a heart.

My Opinion

I don’t know how Laurie McBain ever got categorized as a bodice-ripper author because she’s not. As she was one of the original Avon ladies from the 1970s, that label stuck to her.

Yes, some of her books were epic in scope, spanning years and/or continents, although not here in Devil’s Desire). However, in her books, there was never forced seduction by the hero, her heroines were virginal and didn’t bed-hop, and bodices were rarely–if ever–ripped.

Regardless, she deserves recognition as one of the first “old-school” romance pioneers, as her books influenced many authors and thrilled millions of readers.

Legend has it McBain co-wrote her novels with her father. It sounds kind of weird to be writing romance novels with your dad, but hey, that’s just me. After he passed away, she stopped publishing books.

Final Analysis of Devil’s Desire

Devil’s Desire by Laurie McBain was not a memorable read. Not bad, but so-so.

I much preferred her second novel, Moonstruck Madness, which is more well-known. It was more action-packed, with a heroine who’s quite colorful and courageous and a truly rakish hero.

2.75 Stars

Rating Report Card
Fun Factor
Overall: 2.7


[A] rousing, unforgettable saga that sweeps across the valleys and peaks of human destiny, the stormy alliance of beautiful young and plumbs the depths of raw human emotion — lust, jealousy, and hate… Out of the turbulence of their clashing wills comes one of the greatest love stories ever written, as their twin passions mingle at last, in a rippling tide of liquid fire!”