Peggy Gaddis (1895 to 1966) was a big name in mid-century genre fiction. Born in the state of Georgia, she worked as a pulp magazine editor in New York in the 1920s. She must have learned what the readers wanted because she later became a popular fiction writer in various genres. Gaddis is credited with almost 300 works under a dozen names (that I know of).
Her fortes include contemporary category romance novels; Shadows on the Moon is one example. First published as a hardcover by Arcadia House in 1960, it has been reprinted several times and on both sides of the pond. The version I read is a Magnum paperback published by Prestige Books in the mid-to-late 1970s. Like all books in the series, the copyright page doesn’t bear the date of this edition.
The title sounds gothic-like, but the novel is actually a brisk, dynamic tale of a young businesswoman (circa 1960) facing problems in her work, her family, and her love life. If you go for zesty, realistic plots full of true-to-life characters, with snappy dialog and a pace that never lags, this book might well be your cup of tea.... Read more “Category Romance Review: Shadows on the Moon by Peggy Gaddis”
(#108 Treasures of Love & #1106 Women’s Weekly Library)
Spoiler Free Review 😊
Rating: 4 out of 5.
It’s not exactly the easiest vintage romance to find, but it’s a memorable one. Uninvited Wedding Guest began as a hardcover titled Friend of the Bride, published in 1968 by Ward, Lock, & Company, Ltd. in the UK and by Lenox Hill Press in the US. My guess is these companies aimed their products at public libraries, in the manner of Avalon Romances. This novel was reprinted as a booklet-style paperback by the British publisher IPC Magazines in its “Women’s Weekly Library” series, as number #1106, in 1974.
It next appeared in June 1979 as a mass-market paperback, Magnum Romances #4287, published by the New York company Prestige Books. It was released with a new title, the (fittingly) more dramatic one under which I’m reviewing the novel.
In a way, Kate Cartwright’s To See a Stranger is a fine novel. It’s well-written. It ticks most of the boxes. But it still disappointed me. Why? Because IMHO if a story is labeled a romance, there should be plenty of romance in it. Here there’s hardly any. So I almost didn’t write a review for this blog. But my definition of romance fiction isn’t everyone’s, so here goes.
First, the publishing background, which is sketchy. The paperback I read was issued by Magnum Books, an imprint of Playmore, Inc., Publishers and Waldman Publishing Corp., both in New York. At least that’s what’s listed on the copyright page; some other titles in the series list Prestige Books as the publisher.
Yesterday’s Love is a moving romance with a rather mysterious background. It’s part of the Magnum Books imprint of Prestige Books, Inc., a small New York paperback publisher active during the mid to late 1970s. The novel was originally published as a hardcover by Mills & Boon in 1969, under the title Yesterday’s Lover. But the copyright page of this edition doesn’t say when it was published. Nor can I find this info anywhere else.
The author, Marsha Manning, was a pen name of Hettie Grimstead. Or was Hettie Grimstead a pen name of Marsha Manning? If you know, drop me a line.
An Impossible Situation
Here’s the setup. Kerry Talbot, a London office worker for a large corporation, is in love with Philip Ingram, her boss. And he’s in love with her. The situation presents an obvious problem. But wait, there’s more. He’s married. An issue that troubles her far more than him.
I’m very fond of the line of Magnum romances published during the seventies. Someone was carefully curating the best products of the big British publishers for reprinting in the US. Often the result was a winner. But often isn’t always.
First published in 1976 by IPC Magazines Ltd. in the Women’s Weekly Library series, To Cherish My Beloved by Dorothy Heaton in its 1977 Magnum reprint caught my eye with an intriguing blurb and a gorgeous emo clinch cover; wish I knew who created it. The first few chapters presented a fascinating situation. I just had to find out what happened next!
A lot of stuff did, but overall the story failed to live up to its early promise. So I must be frank: this book is a dud.