At Sweet Savage Flame, we’ve been overlooking category romance covers in favor of flashier historical romance artwork, and it’s time to remedy that. Series cover art is just as lovely. However, sometimes the artwork is not as prominent as it is for historicals. In addition, the big-name cover artists usually produced illustrations for historical romance or full-length contemporary books. Sometimes they did step their toes into the waters of series or category romance and we’re happy that they did!
For the week of Monday, September 6, 2021, to Sunday, September 12, we’re looking at gorgeous category romance covers painted by some of the greatest artists of romance novels. Below are a few category romances illustrated by the legendary ElaineDuillo, Robert Maguire, Elaine Gignilliat, and Pino. Enjoy!
I enjoy playing the game of “I Spy” with my vintage book romance covers. Can you guess this week’s theme? Spot the common thread in the covers, and the first one to mention the correct answer in the comments wins the satisfaction that they were right! 🙂
For the week of Aug 2 to Aug 6, here are some contemporary and historical covers for you to look over and play “I Spy.”
The Treacherous Heart by Angela Alexie is a tale of a Gaelic, black-haired, fiery-spirited lass forced by circumstances to become a thief to provide for her family, only to be thwarted by an arrogant, scar-faced, golden-haired Duke…
Hmm. Where have I heard this plot before? Oh yes, Laurie McBain‘s Moonstruck Madness! Sadly, that’s where the similarities end. If you remove all the intelligent writing, the interesting side characters, and the sexual chemistry between the leads from McBain’s book, we have this dull, meandering read. Except for Jennifer Blake, I’ve come to find that Fawcett-published romances were rarely ever excellent, and this dud is another to put in the slush pile.
One day in Lancashire, England, some drunken soldiers looking for excitement come upon the house of the Avory family. They ransack the home, kill the dog, the Irish-born widow Lady Delilah, and her young son before raping the teenaged daughter. The eldest sister, and our heroine, Raven, was not in residence while this occurred, arriving in time to witness the aftermath of her home’s destruction.... Read more “Historical Romance Review: The Treacherous Heart by Angela Alexie”
Other than E. M. Hull’s masterpiece, The Sheik, the Dell-published Desert Hostage by Diane Dunaway would qualify as my most-liked sheik romance.
Harems and desert sheiks romances aren’t usually my cup of tea, as I prefer historical heroes to be swordsmen, cowboys, or knights. Nevertheless, a man like Karim who is passionately devoted to his heroine makes for a great hero, and a romance with such a male protagonist will certainly catch my interest.
This is another book where the half-European, half-Arab sheik carries off his object of desire into the sandy dunes and makes her his.
The story starts with a bang where we read about Karim’s mother and her desert abduction at the hands of a ruthless sheik. She plots and manipulates to have her son be taken to Europe where he will be educated and ”civilized.”
Let me spoil this turkey and save anyone who’s even contemplating reading this mess of a book their valuable time. As far as I know, we only live one life, and there’s no reason to spend a moment of it in undeserved agony.
(Highland Tryst is also about 30 years out of print, so I don’t feel too bad about hurting anyone’s career.)
Kathlyn and Alex are from warring Scottish clans. When Highland Tryst begins, they are already lovers, meeting frequently for very intimate encounters. They’ve seen each other naked, inside and out. They know what the other looks like, sounds like, smells like… Just to be totally clear: they’ve HAD SEX WITH EACH OTHER MANY TIMES.
Their families discover the affair so Kathlyn and Alex are separated. Kathlyn flees into the wilderness and is rescued by Duncan, an ugly, deformed stranger. Kathlyn is repelled by his looks, at first. Duncan is kind to her and eventually they fall in love.
Natasha Peters’Splendid Torment–originally published as The Masquers–takes us to late 18th-century Venice, to the world of Fosca Loredan, a titian-haired young noblewoman trapped in a loveless marriage to a much older nobleman. It’s an unusual romance, in the style of Bertrice Small sans purple-prose: part bodice ripper, part historical fiction, replete with swashbuckling and political intrigue.
Two heroes are vying for Fosca’s attention: Raffaelo, an atheist, revolutionary, bastard Jew and Alessandro, a middle-aged, philandering, anti-Semite politician. But this love triangle is actually a quadrangle with a fourth player: Lia, a woman who will do anything with anyone to save her true love.
Besides this adulterous entanglement, some of the book’s highlights include a Dynasty-style catfight; a Sapphic May-December love affair; an omniscient dowager who hasn’t left her bed in 20 years; a singing eunuch and a cross-dressing, dancing dwarf.
Final Analysis of The Masquers (aka Splendid Torment)